Overview
An account of a cultural development of the 18th century that has hitherto received little critical attention. The work describes the emergence of a kind of meeting of aural and visual perceptions in the public sphere, well-recognized at the time, which though largely running its course by the early-19th century left a substantial legacy to the subsequent development of Western culture. The text is founded upon the seemingly implausible premise that, across much of Europe during the period from 1750 to 1810, the paths of the history of music and of the history of painting crossed, with interesting and lasting consequences. More precisely, it is argued that changes in aesthetic response and public behaviour in both the practice of listening (to music) and also the practice of viewing (of the visual arts) during this period reveal similar concerns at the same time, to the extent that they may be considered part of the same movement. The author's intention is to show that these activities, musical and artistic, though previously occupying quite distinct spheres of human accomplishment and endeavour, came during the 18th century to share a close affinity within the public sphere, resulting in a kind of parity in popular estimation.
Full Product Details
Author: Thomas Tolley
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Edition: New edition
Weight: 1.150kg
ISBN: 9780754603931
ISBN 10: 0754603938
Pages: 536
Publication Date: 28 August 2001
Audience:
College/higher education
,
Professional and scholarly
,
Undergraduate
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
Prize: Winner of the Choice Outstanding Academic title Award (2002). ’This is a fascinating project, well conceived and of great interest not just to Haydnists but any who are interested in later eighteenth-century music.’ W. Dean Sutcliffe, Director of Studies in Music, St Catharine’s College, Cambridge '...this is the best book on 18th-century English culture to chart the course of a range of popular taste and the confluence of the arts.' The Art Newspaper 'This enterprising and imaginative book...' Early Music Review 'Well written and informative, this book delivers more than its title promises...an extremely thought-provoking examination...Tolley illumines several seldom-discussed aspects of 18th-century culture and gives the reader a fuller understanding of Haydn as composer, cultural icon, and synthesizing genius... All academic, public, and professional collections.' Choice '...draws on art and other aspects of cultural history, as well as displaying an impressive understanding and negotiation of the voluminous literature on Haydn. It produces a narrative that says new things abouth this much discussed composer, adding dimensions to the stories told by both musicologists and art historians about the period....This is a thought-provoking book, its musicology as well argued as its art history.' The Art Book '... Tolley's new study is all the more to be welcomed, both for its fresh thinking and courageous interdisciplinary approach... Tolley has not only provided a wonderfully rich and colourful portrait of the composer's career and fame, but he has also depicted the rich cultural network and interchange between music an the visual arts in the later 18th century.' Journal of the Scottish Society for Art History 'Tolley's book is an intriguing account of some of the major aspects of the topic, given the premise that music and the visual arts are being situated in the same cultural spaces.' Music in Art ’... this treatment of Haydn's life and mu
Prize: Winner of the Choice Outstanding Academic title Award (2002). 'This is a fascinating project, well conceived and of great interest not just to Haydnists but any who are interested in later eighteenth-century music.' W. Dean Sutcliffe, Director of Studies in Music, St Catharine's College, Cambridge '...this is the best book on 18th-century English culture to chart the course of a range of popular taste and the confluence of the arts.' The Art Newspaper 'This enterprising and imaginative book...' Early Music Review 'Well written and informative, this book delivers more than its title promises...an extremely thought-provoking examination...Tolley illumines several seldom-discussed aspects of 18th-century culture and gives the reader a fuller understanding of Haydn as composer, cultural icon, and synthesizing genius... All academic, public, and professional collections.' Choice '...draws on art and other aspects of cultural history, as well as displaying an impressive understanding and negotiation of the voluminous literature on Haydn. It produces a narrative that says new things abouth this much discussed composer, adding dimensions to the stories told by both musicologists and art historians about the period....This is a thought-provoking book, its musicology as well argued as its art history.' The Art Book '... Tolley's new study is all the more to be welcomed, both for its fresh thinking and courageous interdisciplinary approach... Tolley has not only provided a wonderfully rich and colourful portrait of the composer's career and fame, but he has also depicted the rich cultural network and interchange between music an the visual arts in the later 18th century.' Journal of the Scottish Society for Art History 'Tolley's book is an intriguing account of some of the major aspects of the topic, given the premise that music and the visual arts are being situated in the same cultural spaces.' Music in Art '... this treatment of Haydn's life and mu
Prize: Winner of the Choice Outstanding Academic title Award (2002). 'This is a fascinating project, well conceived and of great interest not just to Haydnists but any who are interested in later eighteenth-century music.' W. Dean Sutcliffe, Director of Studies in Music, St Catharine's College, Cambridge '...this is the best book on 18th-century English culture to chart the course of a range of popular taste and the confluence of the arts.' The Art Newspaper 'This enterprising and imaginative book...' Early Music Review 'Well written and informative, this book delivers more than its title promises...an extremely thought-provoking examination...Tolley illumines several seldom-discussed aspects of 18th-century culture and gives the reader a fuller understanding of Haydn as composer, cultural icon, and synthesizing genius... All academic, public, and professional collections.' Choice '...draws on art and other aspects of cultural history, as well as displaying an impressive understanding and negotiation of the voluminous literature on Haydn. It produces a narrative that says new things abouth this much discussed composer, adding dimensions to the stories told by both musicologists and art historians about the period...This is a thought-provoking book, its musicology as well argued as its art history.' The Art Book '... Tolley's new study is all the more to be welcomed, both for its fresh thinking and courageous interdisciplinary approach... Tolley has not only provided a wonderfully rich and colourful portrait of the composer's career and fame, but he has also depicted the rich cultural network and interchange between music an the visual arts in the later 18th century.' Journal of the Scottish Society for Art History 'Tolley's book is an intriguing account of some of the major aspects of the topic, given the premise that music and the visual arts are being situated in the same cultural spaces.' Music in Art '... this treatment of Haydn's life and music through the eyes of visual arts historian Thomas Tolley has much to offer. Making the connections between visual stimuli and musical inspiration turns out to be a highly productive line of enquiry... Tolley uncovers a wealth of fascinating connections between musicians, artists, scientific innovations and patrons in both Vienna and London, revealing Haydn as a composer deeply touched by the visual arts and, indeed, deriving a sense of his own creative worth and uniqueness from his absorption in them... This is a book that eloquently puts the case for instrumental scores of the classical period to be examined from more angles than those concerned purely with the analysis of music content.' Musicology Australia
Author Information
Thomas Tolley, University of Edinburgh, UK
