Painting History: China's Revolution in a Global Context

Author:   Jiawei Shen ,  Mabel Lee
Publisher:   Cambria Press
ISBN:  

9781604979510


Pages:   300
Publication Date:   26 February 2018
Format:   Paperback
Availability:   Available To Order   Availability explained
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Painting History: China's Revolution in a Global Context


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Overview

The celebrity artist Shen Jiawei's history paintings are held at the National Museum, Art Museum, and Military Museum in Beijing, as well in public or private collections in the Vatican, Australia, China, the United States, New Zealand, Malaysia, Hong Kong, and the European Union. In addition to being famous for his history paintings, Shen is a leading portraitist who has painted the official portraits of dignitaries such as Pope Francis, Princess Mary of Denmark and Australian Governor-General Sir Peter Cosgrove. While a significant number of excellent artists have emerged in China with backgrounds like Shen Jiawei's, very few have written significant studies about their experiences that can serve to expand the basis of our knowledge of those times, and about how and why art flourished in China in those times. A bibliophile, Shen is an avid, meticulous reader and thinker. Importantly, he is dedicated to the genre of history painting, even though this genre has virtually died in the West with the advent of photography. He believes that the history painter can expand the psychological space of a canvas through innovative strategies. He has substantiated these innovative strategies in his paintings, and, more importantly, in his book Painting History has written in detail about these strategies. Shen argues that there are humanist communists such as Norman Bethune and Fred Hollows in later times. This book focuses on a range of colorful intellectuals who embraced communism against fascism in the 1920s and 1930s, and visited China during the Japanese invasion as well as fighting in the Spanish Civil War. How many of us know that a Chinese contingent had travelled to Spain to fight for the Republican cause? Shen probes issues in the international communist movement that swept the world in those times and ponders global problems that confront the modern world. Shen is a meticulous notetaker and diarist, and the book draws on these rich archival materials, as well as what can be described as his photographic memory. Many significant insights are revealed in this book because of Shen's erudition in important twentieth- and twenty-first-century Chinese and Western writings. Details about ordinary Chinese people are perceptively discussed with a ring of authenticity that seldom appears in other writings. These details are drawn out for us due to Shen's artist's keen sensitivity. Painting History will appeal to readers with an interest in gaining a fresh understanding of modern China, especially in its art history, society, and politics; its people and what intellectual problems preoccupied them; and what happens when Chinese artists relocate to Western societies, such as Australia. This book will also be of great interest to those with an interest in the genre of history painting and those who seek to learn more about the artistic innovations introduced by Shen.

Full Product Details

Author:   Jiawei Shen ,  Mabel Lee
Publisher:   Cambria Press
Imprint:   Cambria Press
Dimensions:   Width: 15.20cm , Height: 2.10cm , Length: 22.90cm
Weight:   0.540kg
ISBN:  

9781604979510


ISBN 10:   1604979518
Pages:   300
Publication Date:   26 February 2018
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

Shen Jiawei may be best known for having created one of the most iconic art works from the Cultural Revolution, but his body of history paintings spanning the last forty years explained in this book are much more than that. Bearing the impact of his experiences in Australia where he migrated to in 1989, Shen's paintings address broader global issues and are, if anything, portraits of our time. These are the visual recordings of the world from his own perspective. At a moment when many can see China's geopolitical rise in importance, this book offers us a way to see the world from a different cultural vantage point. --Melissa Chiu, Director, Hirshhorn Museum and Sculpture Garden, Washington D.C. Shen Jiawei is one of the few artists today willing to call himself a history painter, having spent five decades engaging closely with Chinese and global events. In China Shen stretched the boundaries of what he was permitted to paint. In Australia the only limits were those of his own imagination. Never content to simply record history he has taken a rigorously critical, analytical approach to the great movements and great figures that have shaped our world. This is true of his writing no less than his painting, and he has given us the rarest of books: a masterful history lesson by a master artist. --John McDonald, Art Critic, The Sydney Morning Herald This book chronicles Shen Jiawei's extraordinary journey from youthful propaganda artist in the 1970s, to official painter of historical scenes, wry observer of China and the world, and now portraitist and Australian national treasure, with examples of works from the various phases of his career. The essays accompanying the paintings demonstrate his understanding of his subjects' lives and his scholarly attitude in his art. --Richard King, University of Victoria


""Shen Jiawei may be best known for having created one of the most iconic art works from the Cultural Revolution, but his body of history paintings spanning the last forty years explained in this book are much more than that. Bearing the impact of his experiences in Australia where he migrated to in 1989, Shen's paintings address broader global issues and are, if anything, portraits of our time. These are the visual recordings of the world from his own perspective. At a moment when many can see China's geopolitical rise in importance, this book offers us a way to see the world from a different cultural vantage point."" --Melissa Chiu, Director, Hirshhorn Museum and Sculpture Garden, Washington D.C. ""Shen Jiawei is one of the few artists today willing to call himself a history painter, having spent five decades engaging closely with Chinese and global events. In China Shen stretched the boundaries of what he was permitted to paint. In Australia the only limits were those of his own imagination. Never content to simply record history he has taken a rigorously critical, analytical approach to the great movements and great figures that have shaped our world. This is true of his writing no less than his painting, and he has given us the rarest of books: a masterful history lesson by a master artist."" --John McDonald, Art Critic, The Sydney Morning Herald ""This book chronicles Shen Jiawei's extraordinary journey from youthful propaganda artist in the 1970s, to official painter of historical scenes, wry observer of China and the world, and now portraitist and Australian national treasure, with examples of works from the various phases of his career. The essays accompanying the paintings demonstrate his understanding of his subjects' lives and his scholarly attitude in his art."" --Richard King, University of Victoria


Author Information

Shen Jiawei, celebrity artist in China from the mid-1970s, relocated to Australia in 1989. Becoming a leading portraitist, he painted official portraits of dignitaries such as Pope Francis, Princess Mary of Denmark and Australian Governor-General Sir Peter Cosgrove. Seventeen of his history paintings are held in Beijing at the National Museum, Art Museum and Military Museum; other history paintings are held in public or private collections in Australia, China, USA, Vatican, New Zealand, Malaysia, Hong Kong and the European Union. Mabel Lee, PhD, Honorary Fellow of the Australian Academy of Humanities, taught modern and contemporary Chinese history and literature at the University of Sydney, 1966-2000. She is concurrently adjunct/honorary professor in the Faculty of Humanities & Social Sciences at The University of Sydney and at The Open University of Hong Kong, and is best known for her translations of Nobel Laureate of Literature Gao Xingjian's writings, and as coeditor of The University of Sydney East Asian Series (1986-2000).

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