Painting, History and Meaning: Sites of Time

Author:   Craig Staff (University of Northampton, UK)
Publisher:   Intellect
Edition:   New edition
ISBN:  

9781789382884


Pages:   156
Publication Date:   12 November 2021
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Painting, History and Meaning: Sites of Time


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Overview

This compelling new study considers contemporary painting’s relationship with time and with events, ideas, and paintings from the past. Following French philosopher Jean-François Lyotard’s determination of painting as entailing a series of temporal sites, Painting, History and Meaning examines works that tendentiously engage with aspects and events derived from the past. Craig Staff explores art that has encompassed strategies of excavation, anachronism, and memorialization, examining key works by artists including Dana Schutz, Tomma Abts, Gerhard Richter, Marlene Dumas, Johannes Phokela, and Taus Makhacheva. A scholarly examination of contemporary painting through an innovative interdisciplinary research methodology, this fascinating study illuminates the complex relationship between art and history. 

Full Product Details

Author:   Craig Staff (University of Northampton, UK)
Publisher:   Intellect
Imprint:   Intellect Books
Edition:   New edition
ISBN:  

9781789382884


ISBN 10:   1789382882
Pages:   156
Publication Date:   12 November 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction More Memory and More Future Perpetuating Modernism Of Absent Bodies Painting Anachronistically Re-siting Painting Bibliography

Reviews

'Painting, History and Meaning is an ambitious book that seeks to redress conventional understandings of temporality within the study of contemporary painting. [...] Staff seeks neither to replicate the arbitrary attitude to temporality apparent in some works of postmodern eclecticism nor to reduce painting to the linear history of progress inherent in modernism and modernist criticism. His approach is rather to construct an alternative that opens up the differences in time inherent in the object that is the painting. [...] As with many of the works discussed in Painting, History and Meaning, the reader is motivated to research further and get lost within the temporal layers opened by digital resources, which is testament to the importance of good storytelling.' -- Kiff Bamford, CAA Reviews


Author Information

Craig Staff is Reader in Fine Art at the University of Northampton, UK. His previous books include Retroactivity and Contemporary Art, Bloomsbury, 2018; Monochrome: Darkness and Light in Contemporary Art, I.B.Tauris, 2015; After Modernist Painting: The History of a Contemporary Practice, I.B.Tauris, 2013 and Modernist Painting and Materiality, McFarland, 2011 as well as numerous articles

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