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OverviewPainters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. Full Product DetailsAuthor: Nora Annesley TaylorPublisher: University of Hawai'i Press Imprint: University of Hawai'i Press Dimensions: Width: 17.50cm , Height: 1.20cm , Length: 24.80cm Weight: 0.425kg ISBN: 9780824833558ISBN 10: 0824833554 Pages: 192 Publication Date: 31 July 2009 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Awaiting stock The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsReviewsPainters in Hanoi adds important perspectives to the growing body of literature on contemporary Southeast Asian art, as it also illuminates the highly specific political, economic, and social conditions that shape but do not determine that art. Taylor's deeply satisfying work further erodes unitary notions of an artistic modernity and the authority of Euro-American paradigms of art history and art making to explain art production throughout the world. She convincingly demonstrates that artistic identity never remains stable but is always asserted, tested, defined, and redefined in local and now global social worlds. - Journal of Asian Studies Painters in Hanoi adds important perspectives to the growing body of literature on contemporary Southeast Asian art, as it also illuminates the highly specific political, economic, and social conditions that shape but do not determine that art. Taylor's deeply satisfying work further erodes unitary notions of an artistic modernity and the authority of Euro-American paradigms of art history and art making to explain art production throughout the world. She convincingly demonstrates that artistic identity never remains stable but is always asserted, tested, defined, and redefined in local and now global social worlds. - Journal of Asian Studies Author InformationNora Annesley Taylor is associate professor of Vietnamese and Southeast Asian art and culture in the Interdisciplinary Humanities Program at Arizona State University. Tab Content 6Author Website:Countries AvailableAll regions |
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