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OverviewThis book shows how the painted face functions as a theatrical signal in Renaissance drama. Explaining the connection between red, white, and black make-up and sexual sin, devilish corruption, and poison, the author surveys how play wrights used face-paint in tragedy to express a wide range of corruption and in comedy to exploit the bawdy meanings of fucus. Full Product DetailsAuthor: Annette Drew-BearPublisher: Associated University Presses Imprint: Bucknell University Press,U.S. Edition: Illustrated edition Weight: 0.390kg ISBN: 9780838752302ISBN 10: 0838752306 Pages: 139 Publication Date: 01 January 1994 Audience: College/higher education , General/trade , Undergraduate , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |