Overview

Pages of Mourning is a stunning achievement, a pioneering and inventive novel that confronts family history, creativity, Magical Realism, and the impact of violence from Mexico's drug war, by a magnificent new talent in Diego Gerard Morrison. It's 2017 and the crisis of forced disappearances has reached a tipping point after 43 docent students disappeared and are feared dead. Aureliano M�s the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose. When Aureliano was very young, his mother left without reason or trace. Aureliano is attempting to write a novel that mirrors his mother's unexplained disappearance while shattering Magical Realism as a genre in the process. It doesn't help though, that he's named after the protagonist of a touchstone of the Magical Realist canon, and raised in the mythical town of Comala. Aureliano searches for insight and closure from his father and from Rose, who grappled with his mother's disappearance through a failed novel of her own. Their stories lead back to the 1980's and the burgeoning drug trade, as Rose and Aureliano's mother journey as young runaways throughout the Mexican countryside. Meanwhile, Aureliano's addictions and the overwhelming burden of the past threaten his tenuous position at the fellowship, just as a deadly earthquake strikes Mexico City on the exact same date as a legendary earthquake struck in 1985. Pages of Mourning is a daring, captivating, darkly funny novel that grapples with uncertainty and loss in a land of violence and superstition, while questioning whether Magical Realism as a genre is capable of confronting the brutal dissonance of a country that awaits the return of the missing while not wholly acknowledging their death. Monumental, lyrical, and engrossing, Pages of Mourning is a towering accomplishment by one of the most exciting new writers at work today.

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9781953387400

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Reviews

"""Pages of Mourning by Diego Gerard Morrison is very funny and very sad and very, very smart. Unafraid to make his fiction work on and around questions of unambiguous gravity, Morrison never forgets the importance, indeed the power, in the endeavor of play. The world that emerges from this crafty 'universe of dust' is lit everywhere with empathy and insight."" --Laird Hunt, author of Zorrie ""One of those rare books that emerges from the clashing of several schools of literature, filled with sad young literary men and women, tortured by art and life and their creations. If The Savage Detectives had a younger, rowdier sibling, this is it."" --Fernando A. Flores, author of Valleyesque and Tears of the Trufflepig ""This propulsive novel contains many novels, written ones and unwritten ones, by invented authors as well as marquee names in twentieth-century fiction: Rulfo, García Márquez, Pynchon, Lowry... Places are haunted and rendered so convincingly that, while reading, more than once I had to remind myself I wasn't in downtown New York; the subway in Mexico City; a farm on the Mexican Pacific coast; a coffee estate in, of all places, Comala... Diego Gerard Morrison has written a glorious kaleidoscope of a book in which the roads to artificial paradises lead to hell. When the dead are as restless as the living, how do we mourn them?"" --Mónica de la Torre, author of Repetition 19"

Author Information

Diego Gerard Morrison (Mexico City, 1984) is a writer, editor and translator whose recent work explores themes of Magical Realism and appropriation in the context of the Mexican drug war. He is the author of The Wait, an appropriation of Samuel Beckett's Waiting for Godot in a setting of Mexican cartel violence and its resulting crisis of forced disappearances. His debut novel, Myth of Pterygium was the winner of the Rising Prize in Fiction. He is the cofounder and fiction editor of diSONARE, an editorial project based in Mexico City. He lives in Mexico City.

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