Overview

This book presents the first systematic appreciation of Ovid's extensive influence on, and affinity with, modern visual culture. Some topics are directly related to Ovid; others exhibit features, characters, or themes analogous to those in his works. The book demonstrates the wide-ranging ramifications that Ovidian archetypes, especially from the Metamorphoses, have provoked in a modern artistic medium that did not exist in Ovid's time. It ranges from the earliest days of film history (Georges Méliès's discovery of screen metamorphosis) and theory (Gabriele D'Annunzio's fascination with the metamorphosis of Daphne; Sergei Eisenstein's concept of film sense) through silent films, classic sound films, commercial cinema, art-house and independent films to modernism and the C.G.I. era. Films by well-known directors, including Ingmar Bergman, Walerian Borowczyk, Jean Cocteau, Alfred Hitchcock, Stanley Kubrick, Fritz Lang, Max Ophüls, Alain Resnais, and various others, are analyzed in detail.

Full Product Details

Author:   Martin M. Winkler (George Mason University, Virginia)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.90cm , Height: 2.60cm , Length: 23.50cm
Weight:   0.910kg
ISBN:  

9781108485401

ISBN 10:   1108485405
Pages:   462
Publication Date:   30 January 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

List of illustrations; Acknowledgments; Fade-in: Prooemium; Adages; Part I. Theory and Practice: 1. Cinemetamorphosis; 2. Ovid's film sense and beyond; Part II. Key Moments in Ovidian Film History: 3. D'Annunzio's Ovid and the cinematic impulse; 4. The Labyrinth: narrative complexity, deadly mazes, and Ovid's modernity; Part III. Into New Bodies: 5. Effects and essences; 6. The Beast in Man: not Ovid's, but how Ovidian!; Part IV. Love, Seduction, Death: 7. Varieties of modernism: Orpheus and Eurydice; 8. Love and death; 9. Lessons in seduction; Part V. Eternal Returns: 10. Immortality: philosophy, cinema, Ovid; 11. Ovidian returns; Sphragis: end credits; Bibliography; Index.

Reviews

'The book displays the author's impressive erudition in ancient Greek and Latin literature, and also his intimate familiarity with film theory and the necessary literature.' H. M. Roisman, Choice

'The book displays the author's impressive erudition in ancient Greek and Latin literature, and also his intimate familiarity with film theory and the necessary literature.' H. M. Roisman, Choice '… Ovid on Screen: A Montage of Attractions, emerges as [Martin Winkler's] most ambitious and wide-ranging contribution … This is an engaging and also enjoyable book from which I have learned much.' James J. Clauss, Bryn Mawr Classical Review

'The book displays the author's impressive erudition in ancient Greek and Latin literature, and also his intimate familiarity with film theory and the necessary literature.' H. M. Roisman, Choice '... Ovid on Screen: A Montage of Attractions, emerges as [Martin Winkler's] most ambitious and wide-ranging contribution ... This is an engaging and also enjoyable book from which I have learned much.' James J. Clauss, Bryn Mawr Classical Review

Author Information

Martin M. Winkler is University Professor and Professor of Classics at George Mason University, Virginia. His publications include The Persona in Three Satires of Juvenal (1983), Der lateinische Eulenspiegel des Ioannes Nemius (1995), Cinema and Classical Texts: Apollo's New Light (Cambridge, 2009), The Roman Salute: Cinema, History, Ideology (2009), Arminius the Liberator: Myth and Ideology (2015), and Classical Literature on Screen: Affinities of Imagination (Cambridge, 2017). He has edited the Penguin Classics anthology Juvenal in English (2001) and the essay collections Classics and Cinema (1991), Classical Myth and Culture in the Cinema (2001), Gladiator: Film and History (2004), Troy: From Homer's 'Iliad' to Hollywood Epic (2006), Spartacus: Film and History (2007), The Fall of the Roman Empire: Film and History (2009), and Return to Troy: New Essays on the Hollywood Epic (2015).

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