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OverviewThe idea of the ""outside"" as a space of freedom has always been central in the literature of the United States. This concept still remains active in contemporary American fiction; however, its function is being significantly changed. Outside, America argues that, among contemporary American novelists, a shift of focus to the temporal dimension is taking place. No longer a spatial movement, the quest for the outside now seeks to reach the idea of time as a force of difference, a la Deleuze, by which the current subjectivity is transformed. In other words, the concept is taking a ""temporal turn."" Discussing eight novelists, including Don DeLillo, Richard Powers, Paul Theroux, and Annie Proulx, each of whose works describe forces of given identities—masculine identity, historical temporality, and power, etc.—which block quests for the outside, Fujii shows how the outside in these texts ceases to be a spatial idea. With due attention to critical and social contexts, the book aims to reveal a profound shift in contemporary American fiction. Full Product DetailsAuthor: Dr. Hikaru Fujii (Doshisha University, Japan)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Edition: NIPPOD Dimensions: Width: 15.20cm , Height: 0.90cm , Length: 22.90cm Weight: 0.227kg ISBN: 9781628925364ISBN 10: 1628925361 Pages: 160 Publication Date: 23 October 2014 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: America and Outside / Part I: Space of Outside / 1. Dear American Road: The End of the Road in Annie Proulx's Postcards and Richard Powers's Operation Wandering Soul / 2. Where the Tides Rise and Ebb: Power and America in Steve Erickson's Rubicon Beach / 3. Journey to the End of the Father: Battlefield of Masculinity in Paul Theroux's The Mosquito Coast / 4. The American Traveler's Love And Solitude: The Pragmatics of the Double in William T. Vollmann's The Atlas / Part II: Practices of Outside / 5. Nietzsche, Crime Fiction, and Question of Masculinity in Denis Johnson's Already Dead: A California Gothic / 6. A Man with a Green Memory: Cinema, War and Freedom in Stephen Wright's Meditations in Green / 7. Time and Again: The Outside and the Narrative Pragmatics in The Body Artist / 8. WWDD (What Would Disney Do)?: Cinematic Field and Narrative Act in Richard Powers's Prisoner's Dilemma / Chapter 9: Writing from a Different Now : Question of Ahistorical Time in Contemporary Los Angeles Fiction / Conclusion: The Temporal Turn in American Fiction / Bibliography / IndexReviewsWhen the questing American hero, having lit out for the territories, runs out of space and discovers that there is no 'outside,' nothing exterior to the road-movie that is contemporary America-what happens then? Time changes; the self mutates; and the novel approaches a threshold between the literary mode of postmodernism and whatever lies ahead. This is what Hiraku Fujii tells us through his series of brilliant and revelatory readings of American novels since the late '80s. Not for the first time, it has taken an outsider to show Americans where to look and what to look for in their own imaginative literature. These novels-by Don DeLillo, Richard Powers, William Vollmann, Steve Erickson, Annie Proulx and others-will never look the same again. -- Brian McHale, Humanities Distinguished Professor, The Ohio State University, USA, and author of Postmodernist Fiction and Constructing Postmodernism Hikaru Fujii's Outside, America The Temporal Turn in Contemporary American Fiction is judicious, informed, perspicacious, and eye-opening. Meriting attention from both academics and the larger community of readers who value and appreciate illuminating criticism, it is a valuable contribution to our understanding of contemporary American fiction's achievements and prospects. -- David Cowart, Lousie Fry Scudder Professor of English, University of South Carolina, USA, and author of Don DeLillo: The Physics of Language and Thomas Pynchon and the Dark Passages of History A lively and gracefully written piece of work that pokes holes in the walls of Fortress America by examining an A-list of recent American writers and their works. Fujii shows that, only when those walls are transformed into membranes, and mutation becomes possible, can the recovery of individual freedoms be achieved. -- Ted Goossen, Professor of Japanese Literature and Culture, York University, Toronto, Canada When the questing American hero, having lit out for the territories, runs out of space and discovers that there is no 'outside,' nothing exterior to the road-movie that is contemporary America-what happens then? Time changes; the self mutates; and the novel approaches a threshold between the literary mode of postmodernism and whatever lies ahead. This is what Hiraku Fujii tells us through his series of brilliant and revelatory readings of American novels since the late '80s. Not for the first time, it has taken an outsider to show Americans where to look and what to look for in their own imaginative literature. These novels-by Don DeLillo, Richard Powers, William Vollmann, Steve Erickson, Annie Proulx and others-will never look the same again. -- Brian McHale, Humanities Distinguished Professor, The Ohio State University, USA, and author of Postmodernist Fiction and Constructing Postmodernism Hikaru Fujii's Outside, America The Temporal Turn in Contemporary American Fiction is judicious, informed, perspicacious, and eye-opening. Meriting attention from both academics and the larger community of readers who value and appreciate illuminating criticism, it is a valuable contribution to our understanding of contemporary American fiction's achievements and prospects. -- David Cowart, Lousie Fry Scudder Professor of English, University of South Carolina, USA, and author of Don DeLillo: The Physics of Language and Thomas Pynchon and the Dark Passages of History A lively and gracefully written piece of work that pokes holes in the walls of Fortress America by examining an A-list of recent American writers and their works. Fujii shows that, only when those walls are transformed into membranes, and mutation becomes possible, can the recovery of individual freedoms be achieved. -- Ted Goossen, Professor of Japanese Literature and Culture, York University, Toronto, Canada Author InformationHikaru Fujii is Assistant Professor of English Department at Doshisha University, Japan. 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