Awards

• Runner-up for NBCCA 2012
• Runner-up for Out of the Vinyl Deeps 2012
• Winner of SPIN 2012

Overview

In 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country's most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artists-Bob Dylan, The Who, Van Morrison, Elvis Presley, David Bowie, the Rolling Stones, Creedence Clearwater Revival, Joni Mitchell, the Velvet Underground, Sam and Dave, Bruce Springsteen, and StevieWonder-assessing their albums and performances not only on their originality, musicianship, and cultural impact but also in terms of how they made her feel.Out of the Vinyl Deeps collects for the first time Willis's Rock, Etc. columns and her other writings about popular music from this period (including liner notes for works by Lou Reed and Janis Joplin) and reasserts her rightful place in rock music criticism. Reviewed in the New Your Times

Full Product Details

9780816672837

Table of Contents

Reviews

I'd call Ellen Willis the Ida Lupino of music writing, but even that wouldn't say enough about this book's value. Out of the Vinyl Deeps is a time capsule, the publication of which invigorates and illuminates our grasp of the period it covers but it is also a timeless compendium of clear thinking and fresh, humane, and persuasive prose.  Jonathan Lethem I'd call Ellen Willis the Ida Lupino of music writing, but even that wouldn't say enough about this book's value. Out of the Vinyl Deeps is a time capsule, the publication of which invigorates and illuminates our grasp of the period it covers--but it is also a timeless compendium of clear thinking and fresh, humane, and persuasive prose. --Jonathan Lethem A pleasure to read and a crucial challenge when truly considered, Willis's essays on rock, freedom, sex, and dancing in your bedroom continue to teach me every time I return to them. --Ann Powers Finally, Willis's game-changing music writing is available in one place. It is like unearthing the holy grail of rock criticism! --Kathleen Hanna Here, [Ellen Willis's] witty, cerebral essays finally get the compilation they deserve. She grapples with voices who inspired her . . . and relates feminism to music in revelatory ways. Vinyl Deeps is the testament of a crucial voice. At a time when rock cliches were still being invented, Willis was already leaving them behind. --Rob Sheffield, Rolling Stone Willis's work is crystalline enough that reading each essay takes the reader on a trip back to the era when it originally appeared, but it's a testimony to her intellect and talent that those journeys look completely unlike any hagiography you might stumble across. She cuts through cliches nimbly . . . and the essays vibrate off the page. --Village Voice At a time when music was less understood than it is today, Willis appreciated why musicians combined passion and intellect to not only document their time, but also influence movements. --Publishers Weekly, starred review Out of the Vinyl Deeps should take its place alongside Marcus's Mystery Train and Bangs's Psychotic Reactions and Carburetor Dung as one of the canonical documents of early pop music criticism. Even with her tendency to use big words and big ideas, Willis always knew at heart that music was a gas, gas, gas. She celebrated the seriousness of pleasure and relished the pleasure of thinking seriously. She followed in the footsteps of the New Yorker critics Dorothy Parker and Pauline Kael, and elbowed her way into the men's club of music criticism. Maybe she didn't even realize it was a men's club--Willis seemed fiercely independent that way. Ultimately, Out of the Vinyl Deeps makes you want to do what the best music criticism should: pull out a record and listen to it with new ears. --New York Times I'd call Ellen Willis the Ida Lupino of music writing, but even that wouldn't say enough about this book's value. Out of the Vinyl Deeps is a time capsule, the publication of which invigorates and illuminates our grasp of the period it covers--but it is also a timeless compendium of clear thinking and fresh, humane, and persuasive prose. --Jonathan Lethem A pleasure to read and a crucial challenge when truly considered, Willis s essays on rock, freedom, sex, and dancing in your bedroom continue to teach me every time I return to them. Ann Powers Finally, Willis s game-changing music writing is available in one place. It is like unearthing the holy grail of rock criticism! Kathleen Hanna Willis made sure her mental footwork was easy to follow, and that's what makes Out of the Vinyl Deeps so relevant. Post-Internet, everybody's a critic, but the best writers know that what matters isn't showing off, but starting a conversation that feels relevant and real. Pick up her book, and you just might discover a voice you've been ready to love for years. --Ann Powers, National Public Radio As a writer and a thinker, Willis set out many of the ideas that define my calling to this day. The persona she established was pretty cool too--skeptical, sexual, and political; affectionate, vulgar, and very smart. --Robert Christgau, from the Foreword Finally, Willis's game-changing music writing is available in one place. It is like unearthing the holy grail of rock criticism! --Kathleen Hanna

Here, [Ellen Willis's] witty, cerebral essays finally get the compilation they deserve. She grapples with voices who inspired her . . . and relates feminism to music in revelatory ways. Vinyl Deeps is the testament of a crucial voice. At a time when rock cliches were still being invented, Willis was already leaving them behind. --Rob Sheffield, Rolling Stone Willis's work is crystalline enough that reading each essay takes the reader on a trip back to the era when it originally appeared, but it's a testimony to her intellect and talent that those journeys look completely unlike any hagiography you might stumble across. She cuts through cliches nimbly . . . and the essays vibrate off the page. -- Village Voice At a time when music was less understood than it is today, Willis appreciated why musicians combined passion and intellect to not only document their time, but also influence movements. -- Publishers Weekly, starred review Out of the Vinyl Deeps should take its place alongside Marcus's Mystery Train and Bangs's Psychotic Reactions and Carburetor Dung as one of the canonical documents of early pop music criticism. Even with her tendency to use big words and big ideas, Willis always knew at heart that music was a gas, gas, gas. She celebrated the seriousness of pleasure and relished the pleasure of thinking seriously. She followed in the footsteps of the New Yorker critics Dorothy Parker and Pauline Kael, and elbowed her way into the men's club of music criticism. Maybe she didn't even realize it was a men's club--Willis seemed fiercely independent that way. Ultimately, Out of the Vinyl Deeps makes you want to do what the best music criticism should: pull out a record and listen to it with new ears. -- New York Times I'd call Ellen Willis the Ida Lupino of music writing, but even that wouldn't say enough about this book's value. Out of the Vinyl Deeps is a time capsule, the publication of which invigorates and illuminates our grasp of

I'd call Ellen Willis the Ida Lupino of music writing, but even that wouldn't say enough about this book's value. Out of the Vinyl Deeps is a time capsule, the publication of which invigorates and illuminates our grasp of the period it covers--but it is also a timeless compendium of clear thinking and fresh, humane, and persuasive prose. --Jonathan Lethem

Here, [Ellen Willis's] witty, cerebral essays finally get the compilation they deserve. She grapples with voices who inspired her . . . and relates feminism to music in revelatory ways. Vinyl Deeps is the testament of a crucial voice. At a time when rock cliches were still being invented, Willis was already leaving them behind. --Rob Sheffield, Rolling Stone <p> Willis's work is crystalline enough that reading each essay takes the reader on a trip back to the era when it originally appeared, but it's a testimony to her intellect and talent that those journeys look completely unlike any hagiography you might stumble across. She cuts through cliches nimbly . . . and the essays vibrate off the page. -- Village Voice At a time when music was less understood than it is today, Willis appreciated why musicians combined passion and intellect to not only document their time, but also influence movements. -- Publishers Weekly, starred review Out of the Vinyl Deeps should take its pl

I&#8217;d call Ellen Willis the Ida Lupino of music writing, but even that wouldn&#8217;t say enough about this book's value. Out of the Vinyl Deeps is a time capsule, the publication of which invigorates and illuminates our grasp of the period it covers&#151;but it is also a timeless compendium of clear thinking and fresh, humane, and persuasive prose. &#151;Jonathan Lethem

Author Information

Ellen Willis (19412006) was a groundbreaking radical leftist writer and thinker whose true loves were rock music, feminism, pleasure, and freedom. She was the first pop music critic for the New Yorker and an editor and columnist at the Village Voice. She wrote for numerous publications, including Rolling Stone, the New York Times, the Nation, and Dissent. She was the founder of the Cultural Reporting and Criticism Program at New York University, and she published three books of essays, Beginning to See the Light, No More Nice Girls, and Don't Think, Smile!Nona Willis Aronowitz has written about women, sex, music, technology, film, and youth culture for publications such as the Nation, the New York Observer, the Village Voice, and Salon. She is coauthor of Girldrive: Criss-crossing America, Redefining Feminism. Sasha Frere-Jones is a musician and writer from New York. He is a staff writer for the New Yorker and a member of the bands Ui and Calvinist. Daphne Carr lives and writes in New York City. She is editor of the Best Music Writing series. Evie Nagy is an associate editor at Billboard Magazine.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available