|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Timberlake Wertenbaker , Sophie Bush (Sheffield Hallam University, UK)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama Edition: 2nd edition Weight: 0.132kg ISBN: 9781350097889ISBN 10: 1350097888 Pages: 152 Publication Date: 05 March 2020 Audience: General/trade , Children/juvenile , General , Children / Juvenile Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsCommentary Chronology: A timeline of Wertenbaker’s life and works, set alongside key theatrical, social and political events of the period. Contexts: - The 1780s: Attitudes to Crime and Punishment; The First Fleet and the Penal Colony of New South Wales; Theatrical Styles and Conventions; The Recruiting Officer - The 1980s: Attitudes to Crime and Punishment; Theatre Funding; The Royal Court, Max Stafford-Clark and the ‘Joint Stock Method’; The Playmaker - Timberlake Wertenbaker Themes: - Guilt and Innocence; Punishment, Rehabilitation and Redemption; The Value of Theatre; Language, Silence and Voice; Colonialism Dramatic Devices: - Language(s): Regional Dialects; Articulacy and Inarticulacy; The Aborigine - Episodic Structure - Theatrical Style: Multi-roling and Cross-casting; Brechtian Aesthetic - Options for Design Production History - A Timeline Critical Reception - Critical response, recognition and influence - The Play Today Academic Debate: A brief discussion of academic responses to the play Further Study: A bibliography of texts for further study - A discussion of Comparative Literature (by Wertenbaker and others) PLAY TEXT - OUR COUNTRY'S GOODReviewsWertenbaker has searched history and found in it a humanistic lesson for hard modern times: rough, sombre, undogmatic and warm * The Sunday Times * Highly theatrical, often funny and at times dark and disturbing, it sets an infant civilization on the stage with clarity, economy and insight. -- Charles Spencer * Daily Telegraph * Wertenbaker's play remains terrifyingly relevant … Wertenbaker scarcely puts a foot wrong. She … expands the argument about the practical wisdom of putting on a play into a wider debate about crime and punishment and, when an actor-convict on the eve of hanging breaks her self-incriminating vow of silence, movingly demonstrates the power of drama to change minds. -- Michael Billington * Guardian * Wertenbaker has searched history and found in it a humanistic lesson for hard modern times: rough, sombre, undogmatic and warm * The Sunday Times * Highly theatrical, often funny and at times dark and disturbing, it sets an infant civilization on the stage with clarity, economy and insight -- Charles Spencer * Daily Telegraph * Wertenbaker's play remains terrifyingly relevant ... Wertenbaker scarcely puts a foot wrong. She ... expands the argument about the practical wisdom of putting on a play into a wider debate about crime and punishment and, when an actor-convict on the eve of hanging breaks her self-incriminating vow of silence, movingly demonstrates the power of drama to change minds. -- Michael Billington * Guardian * Author InformationTimberlake Wertenbaker was Resident Writer for Shared Experience in 1983 and the Royal Court Theatre 1984-85. She is best known for her play Our Country's Good (1988). Other plays include The Love of the Nightingale (1989), Three Birds Alighting on a Field (1992), The Line (2009) and Jefferson's Garden (2015) for which she won the Writers' Guild Award for Best Play 2016. Sophie Bush is a Lecturer in Performance at Sheffield Hallam University and has previously taught at the Universities of Sheffield, Huddersfield and Manchester Metropolitan. Her doctorate, on the work of Timberlake Wertenbaker, was awarded by the University of Sheffield in 2011, and in September 2013, her first book, The Theatre of Timberlake Wertenbaker, was published by Bloomsbury Methuen Drama. Tab Content 6Author Website:Countries AvailableAll regions |