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OverviewThe 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and Mulvey and Clayton themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume. Full Product DetailsAuthor: Sue Clayton , Laura MulveyPublisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Dimensions: Width: 13.80cm , Height: 2.50cm , Length: 21.60cm Weight: 0.593kg ISBN: 9781784537180ISBN 10: 1784537187 Pages: 368 Publication Date: 15 June 2017 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Introduction - Sue Clayton and Laura Mulvey PART ONE: CRITICAL CONTEXTS FOR 1970s EXPERIMENTAL FILMMAKING 1. Semiotics and 1970s British Film Culture - Nicolas Helm-Grovas 2. Listening to Women - Sophie Mayer 3. Political Contexts of 1970s Independent Filmmaking - Steve Sprung and Anthony Davies 4. Platforms of History: Brecht and the Public Uses of Radical History in 1970s Independent Cinema - Colin Perry PART TWO: INFRASTRUCTURES, TECHNOLOGIES AND 1970s EXPERIMENTAL FILMMAKING 5. Audiences: Not an Optional Extra: Artists’ Distribution Practices from the London Film-Makers’ Co-op to Lux - Julia Knight 6. Engaging Material Specificities: Aesthetics and Politics in the 1970s - Kim Knowles 7. The Technologies and Practices of 1970s Community Video in the UK - Ed Webb-Ingall 8. ‘Whose History?’ Feminist Advocacy and Experimental Film and Video - Lucy Reynolds PART THREE: PRACTICES, AESTHETICS AND 1970s EXPERIMENTAL FILMMAKING (THE 200 AVANT-GARDES) 9. A Whole New Attitude: The London Film Makers’ Co-op in the Decade of Structural/Materialism - Steven McIntyre 10. Th e ‘Salvage’ of Working- Class History and Experience: Reconsidering the Amber Collective’s 1970s Tyneside Documentaries - Jamie Chambers 11. Television Interventions: Experiments in Broadcasting by Artists in Britain in the 1970s and 1980s - Catherine Elwes 12. Britain’s Black Filmmaking Workshops and Collective Practice - Daniella Rose King PART FOUR: CASE STUDIES 13. Views of River Yar : Reconsidering Raban and Welsby’s Landmark Landscape Film - Federico Windhausen 14. Between Seeing and Knowing: Stephen Dwoskin’s Behindert and the Camera’s Caress - Rachel Garfield 15. Rapunzel, Let Down Your Hair - Amy Tobin 16. ‘On Her Devolves the Labour’: The Cinematic Time Travel of The Song of the Shirt - Kodwo Eshun PART FIVE: SNAPSHOTS FROM THE 1970s 17.Memories of The Other Cinema - Nick Hart-Williams 18. Organising for Innovation in Film and Television: The Independent Film-Makers’ Association in the Long 1970s - Simon Blanchard and Claire M. Holdsworth 19. The International Forum on Avant-Garde Film at the Edinburgh Film Festival, 1976: Interview with Lynda Myles - Kim Knowles 20. The Workshop Declaration: Independents and Organised Labour - Claire M. Holdsworth 21. Campaigning for Innovation and Experiment on Channel 4 - Claire M. Holdsworth and Rod Stoneman Notes on Contributors Chronological List of Recent Events Select Bibliography IndexReviewsThis superb collection of essays presents a very timely reconsideration of many key independent and radical films of the 1970s, their context of production and exhibition then, and their continuing importance for the aesthetics and politics of image-making in our current era of the digital and global. --Elizabeth Cowie, University of Kent This anthology brilliantly reflects the struggles and achievements of a generation of filmmakers and film scholars outside Britain's commercial entertainment industry. Edited by two key figures from the movement and introducing texts by leading contemporary scholars on this period, this book offers new insights into a vibrant, influential and often highly contested film culture. --David Curtis, BAFVSC, Central Saint Martins An invaluable reference source for academics, researchers and the wider public less familiar with this significant period of British film history. --William Raban, University of the Arts London; director of Thames Film (1986) This superb collection of essays presents a very timely reconsideration of many key independent and radical films of the 1970s, their context of production and exhibition then, and their continuing importance for the aesthetics and politics of image-making in our current era of the digital and global. --Elizabeth Cowie, University of Kent This anthology brilliantly reflects the struggles and achievements of a generation of filmmakers and film scholars outside Britain's commercial entertainment industry. Edited by two key figures from the movement and introducing texts by leading contemporary scholars on this period, this book offers new insights into a vibrant, influential and often highly contested film culture. --David Curtis, BAFVSC, Central Saint Martins An invaluable reference source for academics, researchers and the wider public less familiar with this significant period of British film history. --William Raban, University of the Arts London; director of Thames Film (1986) This superb collection of essays presents a very timely reconsideration of many key independent and radical films of the 1970s, their context of production and exhibition then, and their continuing importance for the aesthetics and politics of image-making in our current era of the digital and global. --Elizabeth Cowie, University of Kent Author InformationSue Clayton is a screenwriter and film director, and Professor of Film and Television at Goldsmiths, University of London, UK. Her films include The Song of the Shirt (1979), The Disappearance of Finbar (1996) and The Last Crop (1990). She has made 14 award-winning documentaries for Channel 4, BBC, and Central, and a number of music videos. Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the acclaimed author of: Visual and Other Pleasures (1989; second edition 2009), Fetishism and Curiosity (1996; second edition 2013), Citizen Kane (1992; second edition 2012) and Death Twenty-four Times a Second: Stillness and the Moving Image (2006). She made six films in collaboration with Peter Wollen including Riddles of the Sphinx (1977) and Frida Kahlo & Tina Modotti (1984) as well as Disgraced Monuments (1996) with artist/filmmaker Mark Lewis. Tab Content 6Author Website:Countries AvailableAll regions |
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