Oscar Wilde and Classical Antiquity

Author:   Kathleen Riley (Freelance writer, theatre historian, and critic, Freelance writer, theatre historian, and critic) ,  Alastair J. L. Blanshard (Paul Eliadis Professor of Classics and Ancient History, Paul Eliadis Professor of Classics and Ancient History, University of Queensland) ,  Iarla Manny (Michael Comber PhD Student in the Reception of the Classical World, Michael Comber PhD Student in the Reception of the Classical World, Open University/St Hilda's College, Oxford)
Publisher:   Oxford University Press
ISBN:  

9780198789260


Pages:   402
Publication Date:   30 November 2017
Format:   Hardback
Availability:   To order   Availability explained
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Oscar Wilde and Classical Antiquity


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Author:   Kathleen Riley (Freelance writer, theatre historian, and critic, Freelance writer, theatre historian, and critic) ,  Alastair J. L. Blanshard (Paul Eliadis Professor of Classics and Ancient History, Paul Eliadis Professor of Classics and Ancient History, University of Queensland) ,  Iarla Manny (Michael Comber PhD Student in the Reception of the Classical World, Michael Comber PhD Student in the Reception of the Classical World, Open University/St Hilda's College, Oxford)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.30cm , Height: 2.80cm , Length: 24.10cm
Weight:   0.736kg
ISBN:  

9780198789260


ISBN 10:   0198789262
Pages:   402
Publication Date:   30 November 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Frontmatter List of Illustrations List of Contributors 0: Kathleen Riley: Introduction: Taking Parnassus to Piccadilly I. WILDE'S CLASSICAL EDUCATION 1: Alastair J. L. Blanshard: Mahaffy and Wilde: A Study in Provocation 2: Gideon Nisbet: How Wilde Read John Addington Symonds's Studies of the Greek Poets 3: Iain Ross: 'Very fine & Semitic': Wilde's Herodotus 4: Joseph Bristow: Wilde's Abstractions: Notes on Literæ Humaniores, 1876-8 II. WILDE AS DRAMATIST 5: John Stokes: Beyond Sculpture: Wilde's Responses to Greek Theatre in the 1880s 6: Clare L. E. Foster: Wilde and the Emergence of Literary Drama, 1880-95 7: Isobel Hurst: 'Tragedy in the disguise of mirth': Robert Browning, George Eliot, and Wilde 8: Kostas Boyiopoulos: Death by Unrequited Eros: Salome, Hippolytus, and Wilde's Inversion of Tragedy III. WILDE AS PHILOSOPHER AND CULTURAL CRITIC 9: Leanne Grech: Imagining Utopia: Oxford Hellenism and the Aesthetic Alternative 10: Kathleen Riley: 'All the terrible beauty of a Greek tragedy': Wilde's 'Epistola' and the Euripidean Christ 11: Kate Hext: Burning with a 'hard, gem-like flame': Heraclitus and Hedonism in Wilde's Writing 12: Stefano Evangelista: Cosmopolitan Classicism: Wilde between Greece and France IV. WILDE AS NOVELIST: THE PICTURE OF DORIAN GRAY 13: Marylu Hill: Wilde's New Republic: Platonic Questions in Dorian Gray 14: Nikolai Endres: From Eros to Romosexuality: Love and Sex in Dorian Gray 15: Iarla Manny: Oscar as (Ovid as) Orpheus: Misogyny and Pederasty in Dorian Gray and the Metamorphoses V. WILDE AND ROME 16: Philip E. Smith II: Wilde and Roman History 17: Shushma Malik: The Criminal Emperors of Ancient Rome and Wilde's 'true historical sense' 18: Serena S. Witzke: 'I knew I had a brother!': Fraternity and Identity in Plautus' Menaechmi and Wilde's The Importance of Being Earnest Endmatter Bibliography Index

Reviews

The analysis and inclusion of a variety of sources, including unpublished, annotated manuscripts, transcripts, and Wilde's notebooks, are an invaluable resource and welcome additions to ongoing discussions on Wilde. . . . the debates present are original, well-conceived and offer readers a concrete position from which to expand and further consider Wilde's classicism. * Robert Finnigan, The Review of English Studies * I greatly enjoyed the varied viewpoints of these illuminating essays, which greatly deepened my understanding of Wilde's complex love and use of Classics and can heartily recommend the book to scholars and post-graduate students of Classical Reception, English Literature and Theatre Studies. The volume amply fulfils its stated aim of offering a model for studies based around an individual and their use of the Classical tradition. * Claire Gruzelier, Classics for All * Eighteen years after the centenary of Oscar Wilde's death in 1900, Oxford University Press has published this excellent monographic study . . . an excellent and highly recommended contribution to Wildean studies from the perspective of the classical tradition. * Pau Gilabert, International Journal of the Classical Tradition * This is a highly satisfying book, stimulating, varied, visually appealing, refreshingly jargon-free and exceptionally well edited. . . . It has much to offer anyone interested in the enigma of Wilde * Peter Raby, The Classical Review *


Author Information

Kathleen Riley is a former British Academy Postdoctoral Fellow in Classics at Corpus Christi College, Oxford and now a freelance writer, theatre historian, and critic. She is the author of Nigel Hawthorne on Stage (University of Hertfordshire Press, 2004), The Reception and Performance of Euripides' Herakles: Reasoning Madness (OUP, 2008), and The Astaires: Fred & Adele (OUP USA, 2012), which has been optioned for a British feature film. She reviews plays and books on dance for the Times Literary Supplement and is a contributor to the Encyclopedia of Greek Tragedy (Wiley-Blackwell, 2013). Her current projects include a monograph exploring the ancient Greek concept of Nostos (homecoming) and its manifestations in literature and drama over the last hundred years. Alastair Blanshard is the Paul Eliadis Professor of Classics and Ancient History at the University of Queensland. He works extensively in the field of Classical Reception studies, serving as an Associate Editor for the Classical Receptions Journal and the subject-area editor for Classical Reception for the Oxford Classical Dictionary, as well as overseeing the Classics after Antiquity series for Cambridge University Press as one of its general editors. His publications include Sex: Vice and Love from Antiquity to Modernity (Wiley-Blackwell, 2010), Classics on Screen: Ancient Greece and Rome on Film (with Kim Shahabudin; Bloomsbury, 2011), and Classical World: All That Matters (Hodder and Stoughton, 2015). Iarla Manny studied Classics at Trinity College Dublin and Balliol College, Oxford. His MPhil thesis on Gerard Manley Hopkins's Hellenism and Hebraism was awarded the Gaisford Graduate Dissertation Prize by the University of Oxford's Faculty of Classics, and he is a recent recipient of the Michael Comber PhD Studentship in the Reception of the Classical World, held jointly at the Open University and St Hilda's College, Oxford. He is currently completing his doctoral thesis on Oscar Wilde and Graeco-Roman antiquity.

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