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OverviewOrson Welles' theatrical productions of Shakespeare for the W.P.A.'s Federal Theatre Project and Welles' own Mercury Theatre represent unique blending of high art and the politicized popular culture of the 1930s. This volume is the only publication available of the fully annotated playscripts of these adaptions, including the 'Voodoo' Macbeth , the modern-dress Julius Caesar , and Welles compilation of history plays, Five Kings . Richard France's general introduction provides invaluable background information that relates the three plays and their productions to the social, historical, political and economic climate from which they emerged. He further introduces each script with all of the relevant information on the production, interview material from those on the scene, and Welles' own directorial marginalia. Full Product DetailsAuthor: Richard France , Simon CallowPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: annotated edition Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.446kg ISBN: 9780415937269ISBN 10: 0415937264 Pages: 336 Publication Date: 26 September 2001 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsRichard France has given us access to genius in making Orson Welles' Shakespeare texts available. Bravo!. <br>-Stuart Vaughan, Former Artistic Director of the New York Shakespeare Festival <br> Richard France brilliantly illuminates the work of Orson Welles, providing the reader with a wealth of riches in his inspiring collection. Anyone who loves theatre and film, and who is fascinated by this great American genius, will love this book. France has give un easy access to the Welles' versions of his famous voodoo Macbeth, as well as his fascist Julius Caesar, and finally, of Five Kings, a reworking of Shakespeare's history plays. Wonderfully insightful, presented with eloquence and style, reading this book is like sitting down to a delicious meal. Thank you, Richard France, for this extraordinary piece of theatre history-it is to be cherished. <br>-Stacy Keach <br> A singularly important contribution to the growing body of material which holds that we should pay more attention to Shakespeare texts as performed and less to historical issues of textual authenticity. France's own experience as a playwright enables him to treat issues involving Welles and theatre with keener insight than most academic writing on the subject. <br>-Robert L. Carringer, University of Illinois at Urbana <br> The reputation of Orson Welles, tarnished by his own excesses, has been glowingly restored by Richard France's brilliant editing of the W.P.A. Mercury Theatre Playscripts. France skillfully reminds us why Welles dominates the history of the 20th Century as one of our greatest stage and film directors. <br>-Gene Feist, Founding Director of the Roundabout Theatre Company <br>... a mandatory volume forfans of either Welles or Shakespeare, which should encompass just about every culturally literate person alive.. <br>- Scott Eyman, West Palm Beach Post January 20, 2002 <br> Richard France has given us access to genius in making Orson Welles' Shakespeare texts available. Bravo!. -Stuart Vaughan, Former Artistic Director of the New York Shakespeare Festival Richard France brilliantly illuminates the work of Orson Welles, providing the reader with a wealth of riches in his inspiring collection. Anyone who loves theatre and film, and who is fascinated by this great American genius, will love this book. France has give un easy access to the Welles' versions of his famous voodoo Macbeth, as well as his fascist Julius Caesar, and finally, of Five Kings, a reworking of Shakespeare's history plays. Wonderfully insightful, presented with eloquence and style, reading this book is like sitting down to a delicious meal. Thank you, Richard France, for this extraordinary piece of theatre history-it is to be cherished. -Stacy Keach A singularly important contribution to the growing body of material which holds that we should pay more attention to Shakespeare texts as performed and less to historical issues of textual authenticity. France's own experience as a playwright enables him to treat issues involving Welles and theatre with keener insight than most academic writing on the subject. -Robert L. Carringer, University of Illinois at Urbana The reputation of Orson Welles, tarnished by his own excesses, has been glowingly restored by Richard France's brilliant editing of the W.P.A. Mercury Theatre Playscripts. France skillfully reminds us why Welles dominates the history of the 20th Century as one of our greatest stage and film directors. -Gene Feist, Founding Director of the Roundabout Theatre Company ... a mandatory volume forfans of either Welles or Shakespeare, which should encompass just about every culturally literate person alive.. - Scott Eyman, West Palm Beach Post January 20, 2002 Richard France has given us access to genius in making Orson Welles' Shakespeare texts available. Bravo! -- Stuart Vaughan, Former Artistic Director of the New York Shakespeare Festival Richard France brilliantly illuminates the work of Orson Welles, providing the reader with a wealth of riches in his inspiring collection. Anyone who loves theatre and film, and who is fascinated by this great American genius, will love this book. France has give un easy access to the Welles' versions of his famous voodoo Macbeth, as well as his fascist Julius Caesar, and finally, of Five Kings, a reworking of Shakespeare's history plays. Wonderfully insightful, presented with eloquence and style, reading this book is like sitting down to a delicious meal. Thank you, Richard France, for this extraordinary piece of theatre history-it is to be cherished. -- Stacy Keach A singularly important contribution to the growing body of material which holds that we should pay more attention to Shakespeare texts as performed and less to historical issues of textual authenticity. France's own experience as a playwright enables him to treat issues involving Welles and theatre with keener insight than most academic writing on the subject. -- Robert L. Carringer, University of Illinois at Urbana The reputation of Orson Welles, tarnished by his own excesses, has been glowingly restored by Richard France's brilliant editing of the W.P.A. Mercury TheatrePlayscripts. France skillfully reminds us why Welles dominates the history of the 20th Century as one of our greatest stage and film directors. -- Gene Feist, Founding Director of the Roundabout Theatre Company ...a mandatory volume for fans of either Welles or Shakespeare, which should encompass just about every culturally literate person alive. -- Scott Eyman, WestPalm Beach Post January 20, 2002 Author InformationRichard France is a playwright, teacher, actor, and authority on Orson Welles. He is the author of TheTheatre of Orson Welles, which was the recipient of the Choice Outstanding Book Award in 1978. He is also the winner of the 1982 Silver PEN award. Currently, France teaches at the City University of New York. Tab Content 6Author Website:Countries AvailableAll regions |