Opera, Power and Ideology: Anthropological Study of a National Art in Slovenia

Author:   Vlado Kotnik Ph.D.
Publisher:   Peter Lang AG
Edition:   New edition
ISBN:  

9783631596289


Pages:   210
Publication Date:   30 March 2010
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Opera, Power and Ideology: Anthropological Study of a National Art in Slovenia


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Full Product Details

Author:   Vlado Kotnik Ph.D.
Publisher:   Peter Lang AG
Imprint:   Peter Lang AG
Edition:   New edition
Weight:   0.450kg
ISBN:  

9783631596289


ISBN 10:   3631596286
Pages:   210
Publication Date:   30 March 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Contents: Opera as anthropology - Opera as ethnographic experience - Opera as provincial habitus - Opera as hegemony of `musicological' canon - Opera as idealized vision of nationhood - Opera as invented tradition - Opera as media representation - Opera as postsocialist calculation - Opera as transnational promenade.

Reviews

'Opera and an anthropologist should no longer be an odd couple' Kotnik suggests, and how true that is. Opera and anthropology were made for one another, and in this book we see why. If opera is an extravagant art, then anthropologists are the connoisseurs of extravagance. Opera's preoccupations are the very stuff of anthropology: culture, taste, transgression, monsters and identities. (Paul Atkinson, Distinguished Research Professor, School of Social Sciences, Cardiff University, UK) This captivating book reveals an intricate social organization behind the grandeur of opera performances in postsocialist Slovenia. (Helena Wulff, Professor of Social Anthropology, Stockholm University, Sweden)


«‘Opera and an anthropologist should no longer be an odd couple’ Kotnik suggests, and how true that is. Opera and anthropology were made for one another, and in this book we see why. If opera is an extravagant art, then anthropologists are the connoisseurs of extravagance. Opera’s preoccupations are the very stuff of anthropology: culture, taste, transgression, monsters and identities.» (Paul Atkinson, Distinguished Research Professor, School of Social Sciences, Cardiff University, UK) «This captivating book reveals an intricate social organization behind the grandeur of opera performances in postsocialist Slovenia.» (Helena Wulff, Professor of Social Anthropology, Stockholm University, Sweden)


`Opera and an anthropologist should no longer be an odd couple' Kotnik suggests, and how true that is. Opera and anthropology were made for one another, and in this book we see why. If opera is an extravagant art, then anthropologists are the connoisseurs of extravagance. Opera's preoccupations are the very stuff of anthropology: culture, taste, transgression, monsters and identities. (Paul Atkinson, Distinguished Research Professor, School of Social Sciences, Cardiff University, UK) This captivating book reveals an intricate social organization behind the grandeur of opera performances in postsocialist Slovenia. (Helena Wulff, Professor of Social Anthropology, Stockholm University, Sweden)


Author Information

The Author: Vlado Kotnik is assistant professor of anthropology and media studies at the University of Primorska in Koper (Slovenia), director of the Institute for Anthropological Research in Ljubljana, and member of the European Association of Social Anthropologists.

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