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Author:   Beatriz Penas-Ibáñez ,  María José Álvarez-Faedo ,  Elsa Cavalié ,  Laurent Mellet
Publisher:   Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint:   Peter Lang AG, Internationaler Verlag der Wissenschaften
Edition:   New edition
Volume:   18
Weight:   0.490kg
ISBN:  

9783034325998

ISBN 10:   3034325991
Pages:   352
Publication Date:   06 April 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Jeremy Tambling: Civilization and Natural Depravity: On Forster, Melville, Lawrence, and Britten – Tim Mackin: Reconstructing Knowledge in A Passage to India – Aude Haffen: «Well, my England is E. M.»: E. M. Forster’s Legacy to the Auden-Isherwood Generation – Jean-Christophe Murat: The Issues of Liberal Humanism and the Condition of England from E. M. Forster to Angus Wilson – Jean-Michel Ganteau: He Cared: Forster, McEwan, and the Ethics of Attentiveness – Marie Laniel: Tracing «the Heart’s Imagination» in Contemporary British Fiction – Yi-Chuang Elizabeth Lin: The Subject/Object Commodity: From Forster’s Howards End to Ishiguro’s Never Let Me Go – Christina Root: «Her Way of Walking»: Explorations of Nature and the Unseen in Forster’s Howards End and Robert Macfarlane’s The Old Ways – Maaz Bin Bilal: E. M. Forster’s Place in the Long Discourse of Friendship – Catherine Lanone: «Common Garden Variety» or «Rare Bird»: the Persistence of E. M. Forster’s Singular Song – Niklas Fischer: In Timeless Company: E. M. Forster and J. M. Coetzee – Nour Dakkak: Walking, Strolling and Trailing: Ivory’s Adaptation of Movement in Forster’s Howards End – Susan Reid: «The Muddling of the Arts»: Modernist Rites and Rhythms in Forster, Woolf and McEwan – Julie Chevaux: E. M. Forster and the Obsession for Rhythm: Rewriting «The Story of a Panic» with «The Life to Come» – Alberto Fernández Carbajal: The Postcolonial Queer and the Legacies of Colonial Homoeroticism: Of Queer Lenses and Phenomenology in E. M. Forster, David Lean and Hanif Kureishi – Nicolas Pierre Boileau: Coupling: the «Lost Form» of 20th-Century Literature? Or Only Disconnect – Xavier Giudicelli: Creative Criticism/Critical Creation: E. M. Forster and Alan Hollinghurst – José Mari Yerba: Forster’s Pastoral Legacy in Trauma Poetics: The Melancholic Neo-Pastoral in Hollinghurst’s The Swimming-Pool Library and The Folding Star – Celia Cruz-Rus: Damon Galgut’s Arctic Summer (2014) in Context

Reviews

The book edited by Elsa Cavalié and Laurent Mellet is extremely broad and varied. It unites the works of seasoned Forsterians with those of young scholars embarking on their academic careers, as well as an impressive variety of critical approaches and fields in which Forster's legacies can still be felt. Although apparently addressed primarily to Forsterian scholars, it should be, at least in part, equally interesting for scholars interested e.g. in contemporary gay fiction or adaptation studies, as well as in the writers indebted to Forster. (Krzysztof Fordoński, Polish Journal of English Studies 3.2/2017)

«The book edited by Elsa Cavalié and Laurent Mellet is extremely broad and varied. It unites the works of seasoned Forsterians with those of young scholars embarking on their academic careers, as well as an impressive variety of critical approaches and fields in which Forster’s legacies can still be felt. Although apparently addressed primarily to Forsterian scholars, it should be, at least in part, equally interesting for scholars interested e.g. in contemporary gay fiction or adaptation studies, as well as in the writers indebted to Forster.» (Krzysztof Fordoński, Polish Journal of English Studies 3.2/2017)

The book edited by Elsa Cavalie and Laurent Mellet is extremely broad and varied. It unites the works of seasoned Forsterians with those of young scholars embarking on their academic careers, as well as an impressive variety of critical approaches and fields in which Forster's legacies can still be felt. Although apparently addressed primarily to Forsterian scholars, it should be, at least in part, equally interesting for scholars interested e.g. in contemporary gay fiction or adaptation studies, as well as in the writers indebted to Forster. (Krzysztof Fordonski, Polish Journal of English Studies 3.2/2017)

Author Information

Elsa Cavalié is a Senior Lecturer at Avignon University (France). Her research focuses on Contemporary British fiction and Cultural Studies with particular emphasis on the notions of Englishness and Britishness. Laurent Mellet is Professor of British literature and film at the Université Toulouse Jean Jaurès (France). He specialises in Modernist and contemporary British fiction, and in film and adaptation theory.

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