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The authors and editors of the book manage to put together an imaginative and inspiring patchwork of accounts and analyses centred on the female presence in the artistic and intellectual life of interwar Serbian society. It had to be a scarce presence; therefore the editorial project proves to be as ingenious as it is effective: it achieves the suggestive and comprehensive evocation of those times by referring it to a particularly emphatic phenomenon. A special flavour of the reading of this book comes from its “vernacular English”. Surely, the language is mastered flawlessly and carries all the nuances and expressivity required when dealing with such complex matters. Nevertheless, there is a slight air of foreignness about it, which suits quite well the purpose and core of the very enterprise: an endeavour to establish the situation of Serbian Modernism in arts and architecture within the wider scenery of European and universal modernity. Kázmér Kovács, Associate Professor, PhD, “Ion Mincu” University of Architecture and Urbanism, Bucharest, Studies in History & Theory of Architecture, sITA 2014 Written in functional language with many references regarding further readings, On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918-;1941), will find readership among architectural historians, architects, urban planners, designers, critics, and others motivated for insight into Serbia between two World Wars. This book will be valuable resource and serve as point of departure, not only to the study of interwar Serbian arts, architecture and literature, but to the continuing venture of exploring the history of European modernism(s) in a broader cultural context. Aleksandra Ilijevski, Zbornik Matice Srpske za Likovne Umetnosti 43 [Matica Srpska Journal for Fine Arts 43] (2015): 366-369 This edited collection, which presents the work of scholars based both in Serbia and in the United States, tackles two major tasks. The first is documenting modernizing forces and modernisms in Serbia between the two world wars. The second is exploring the significance of Serbian modernism(s) both to Serbia and to the broader history of modernist movements. [...] Scholars of modernization and modernism, as well as scholars interested in Yugoslav history, will find this collection valuable and thought-provoking. Brigitte Le Normand, Slavic Review vol.74/no.4 (2015): 927-929 On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918-;1941) deserves to be credited for bringing the subject of Serbian modernism in literature, the arts and architecture to a broader readership, particularly English-reading scholars interested in South East European art and culture of the twentieth century. Although the quality of the published essays is strikingly uneven, most of them nevertheless contribute to the driving idea of the volume, which is to explore a variety of modalities of Serbian modernism and to show different perspectives on them. Aleksandar Ignjatović, Southeastern Europe 40 (2016) 105-120 Book review by Dr. Zlata Vuksanovic Macura for the journal Nasledje [Heritage] published by the Institute for the protection of cultural heritage of the city of Belgrade. Zlata Vuksanovic Macura, Nasledje 17 (2016) 217-220.

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Jelena Bogdanovic is an Assistant Professor of Architectural History at Iowa State University. Lilien Filipovitch Robinson is Professor of Art History at the George Washington University. Igor Marjanovic is an Associate Professor of Architecture at Washington University in St. Louis.

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