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OverviewFull Product DetailsAuthor: Kirstie A. DorrPublisher: Duke University Press Imprint: Duke University Press Weight: 0.363kg ISBN: 9780822368670ISBN 10: 0822368676 Pages: 256 Publication Date: 13 February 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Acknowledgments vii Introduction. Thinking Site in Sound 1 1. Sounding Place Over Time: On the Sonic Transits of ""El Cóndor Pasa"" 25 2. Putumayo and Its Discontents: The Andean Music Industry as a World Music Geography 64 3. (Inter)national Stages, Mujeres Bravas, and the Spatial Politics of Diaspora 95 4. ""You Can't Have a Revolution without Songs: Neighborhood Soundscapes and Multiscalar Activism in La Misión 145 Epilogue. Musical Pirates, Sonic Debts, and Future Geographies of Transit 175 Notes 189 Bibliography 217 Index 236"ReviewsBoldly investigating the post-1960 rise of political and social economies of South American music that anticipated and responded to the past, present, and future of colonial discipline, Kirstie Dorr works with populations that are too often left out of the narratives of hemispheric cultural activism. Dorr's interventions are necessary and provocative, making On Site, In Sound a crucial and vivifying touchstone for the future horizon of U.S. Latina/o studies. -- Alexandra T. Vazquez, author of * Listening in Detail: Performances of Cuban Music * For Kirstie A. Dorr, geography is never a stable site or a fixed idea that merely marks the imagined place of musical production and circulation. Dorr's nuanced engagement between musical sound and geography shows geography to be the site and sound of the transnational and transgenerational. A rare work in Latina/o studies that concentrates on Andean and Afroperuvian music, On Site, In Sound is a unique sonic force that contributes critical questions pertaining to blackness and Latinidad in the field of Latina/o studies as well as a critical signpost for reimagining sound studies through sexuality, race, and gender. --Deborah R. Vargas, author of Dissonant Divas in Chicana Music: The Limits of La Onda Boldly investigating the post-1960 rise of political and social economies of South American music that anticipated and responded to the past, present, and future of colonial discipline, Kirstie A. Dorr works with populations that are too often left out of the narratives of hemispheric cultural activism. Dorr's interventions are necessary and provocative, making On Site, In Sound a crucial and vivifying touchstone for the future horizon of U.S. Latina/o studies. --Alexandra T. Vazquez, author of Listening in Detail: Performances of Cuban Music Author InformationKirstie A. Dorr is Associate Professor of Ethnic Studies at the University of California, San Diego. Tab Content 6Author Website:Countries AvailableAll regions |