On Site, In Sound: Performance Geographies in América Latina

Author:   Kirstie A. Dorr
Publisher:   Duke University Press
ISBN:  

9780822368670


Pages:   256
Publication Date:   13 February 2018
Format:   Paperback
Availability:   In Print   Availability explained
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On Site, In Sound: Performance Geographies in América Latina


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Author:   Kirstie A. Dorr
Publisher:   Duke University Press
Imprint:   Duke University Press
Weight:   0.363kg
ISBN:  

9780822368670


ISBN 10:   0822368676
Pages:   256
Publication Date:   13 February 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Acknowledgments  vii Introduction. Thinking Site in Sound  1 1. Sounding Place Over Time: On the Sonic Transits of ""El Cóndor Pasa""  25 2. Putumayo and Its Discontents: The Andean Music Industry as a World Music Geography  64 3. (Inter)national Stages, Mujeres Bravas, and the Spatial Politics of Diaspora  95 4. ""You Can't Have a Revolution without Songs: Neighborhood Soundscapes and Multiscalar Activism in La Misión  145 Epilogue. Musical Pirates, Sonic Debts, and Future Geographies of Transit  175 Notes  189 Bibliography  217 Index  236"

Reviews

Boldly investigating the post-1960 rise of political and social economies of South American music that anticipated and responded to the past, present, and future of colonial discipline, Kirstie Dorr works with populations that are too often left out of the narratives of hemispheric cultural activism. Dorr's interventions are necessary and provocative, making On Site, In Sound a crucial and vivifying touchstone for the future horizon of U.S. Latina/o studies. -- Alexandra T. Vazquez, author of * Listening in Detail: Performances of Cuban Music *


For Kirstie A. Dorr, geography is never a stable site or a fixed idea that merely marks the imagined place of musical production and circulation. Dorr's nuanced engagement between musical sound and geography shows geography to be the site and sound of the transnational and transgenerational. A rare work in Latina/o studies that concentrates on Andean and Afroperuvian music, On Site, In Sound is a unique sonic force that contributes critical questions pertaining to blackness and Latinidad in the field of Latina/o studies as well as a critical signpost for reimagining sound studies through sexuality, race, and gender. --Deborah R. Vargas, author of Dissonant Divas in Chicana Music: The Limits of La Onda Boldly investigating the post-1960 rise of political and social economies of South American music that anticipated and responded to the past, present, and future of colonial discipline, Kirstie A. Dorr works with populations that are too often left out of the narratives of hemispheric cultural activism. Dorr's interventions are necessary and provocative, making On Site, In Sound a crucial and vivifying touchstone for the future horizon of U.S. Latina/o studies. --Alexandra T. Vazquez, author of Listening in Detail: Performances of Cuban Music


Author Information

Kirstie A. Dorr is Associate Professor of Ethnic Studies at the University of California, San Diego.

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