On Opera

Author:   Bernard Williams ,  Michael Tanner
Publisher:   Yale University Press
ISBN:  

9780300223040


Pages:   176
Publication Date:   17 February 2016
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $41.95 Quantity:  
Add to Cart

Share |

On Opera


Add your own review!

Overview

Full Product Details

Author:   Bernard Williams ,  Michael Tanner
Publisher:   Yale University Press
Imprint:   Yale University Press
Dimensions:   Width: 15.60cm , Height: 0.10cm , Length: 23.50cm
Weight:   0.284kg
ISBN:  

9780300223040


ISBN 10:   0300223048
Pages:   176
Publication Date:   17 February 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

Selected as an Outstanding AcademicTitle for 2007 by Choice Magazine Most of the stuff one reads about opera is either hack or musicological maundering. With Bernard Williams you're in touch with a subtle, well-furnished mind which visualizes opera as a cultural artefact with complex literary and philosophical implications. And yet at the same time the text is lucid, intelligible and diverting, without a trace of post-modernist jargon or structuralist bullshit. -Jonathan Miller . . . a new standpoint and an unfamiliar kind of thinking . . . the writing is a delight. -Stanley Sadie The most powerful of Bernard [William's] intellectual dispositions was his humanism: a great delight in what people can be, at the beauty of what they can make in music, art and ideas, at the rich varieties of culture they can imagine and live, but also an empathetic sense of people's limitations and failures, their humanity in the sense of weakness as well as achievement. -Ronald Dworkin Music was deeply important to Bernard [Williams]. He did not just like it. He studies it, practised it, and wrote about it. -Sir Keith Thomas His sheer appetite for life was wide in scope and varied in mode. He brought clarity of mind and gaiety of spirit to crucial issues of identity, justice, society, psychology, art and (particularly) music. -Reverend John Drury


Selected as an Outstanding AcademicTitle for 2007 by Choice Magazine Most of the stuff one reads about opera is either hack or musicological maundering. With Bernard Williams you're in touch with a subtle, well-furnished mind which visualizes opera as a cultural artefact with complex literary and philosophical implications. And yet at the same time the text is lucid, intelligible and diverting, without a trace of post-modernist jargon or structuralist bullshit. -Jonathan Miller . . . a new standpoint and an unfamiliar kind of thinking . . . the writing is a delight. -Stanley Sadie The most powerful of Bernard [William's] intellectual dispositions was his humanism: a great delight in what people can be, at the beauty of what they can make in music, art and ideas, at the rich varieties of culture they can imagine and live, but also an empathetic sense of people's limitations and failures, their humanity in the sense of weakness as well as achievement. -Ronald Dworkin Music was deeply important to Bernard [Williams]. He did not just like it. He studies it, practised it, and wrote about it. -Sir Keith Thomas His sheer appetite for life was wide in scope and varied in mode. He brought clarity of mind and gaiety of spirit to crucial issues of identity, justice, society, psychology, art and (particularly) music. -Reverend John Drury


"Selected as an Outstanding AcademicTitle for 2007 by Choice Magazine ""Most of the stuff one reads about opera is either hack or musicological maundering. With Bernard Williams you’re in touch with a subtle, well-furnished mind which visualizes opera as a cultural artefact with complex literary and philosophical implications. And yet at the same time the text is lucid, intelligible and diverting, without a trace of post-modernist jargon or structuralist bullshit.""—Jonathan Miller  "". . . a new standpoint and an unfamiliar kind of thinking . . . the writing is a delight.""—Stanley Sadie ""The most powerful of Bernard [William's] intellectual dispositions was his humanism: a great delight in what people can be, at the beauty of what they can make in music, art and ideas, at the rich varieties of culture they can imagine and live, but also an empathetic sense of people's limitations and failures, their humanity in the sense of weakness as well as achievement.""—Ronald Dworkin ""Music was deeply important to Bernard [Williams]. He did not just like it. He studies it, practised it, and wrote about it.""—Sir Keith Thomas ""His sheer appetite for life was wide in scope and varied in mode. He brought clarity of mind and gaiety of spirit to crucial issues of identity, justice, society, psychology, art and (particularly) music.""—Reverend John Drury"


Author Information

Bernard Williams was Knightbridge Professor of Philosophy, Cambridge University, Monroe Deutsch Professor of Philosophy, University of California, Berkeley, and White’s Professor of Moral Philosophy, Oxford University. He was a member of the board of the English National Opera in London and author of many articles on music.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

MRG2025CC

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List