On Film Editing: An Introduction to the Art of Film Construction

Author:   Edward Dmytryk ,  Andrew Lund ,  Mick Hurbis-Cherrier
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138584310


Pages:   208
Publication Date:   27 September 2018
Format:   Hardback
Availability:   In Print   Availability explained
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On Film Editing: An Introduction to the Art of Film Construction


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Author:   Edward Dmytryk ,  Andrew Lund ,  Mick Hurbis-Cherrier
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.430kg
ISBN:  

9781138584310


ISBN 10:   1138584312
Pages:   208
Publication Date:   27 September 2018
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Edward Dmytryk (1908-1999) was an Oscar-nominated American filmmaker, educator, and writer. Over an acclaimed forty-year filmmaking career, Dmytryk directed over fifty award-winning films, including Crossfire (1947), The Caine Mutiny (1954), Raintree County (1957), and The Young Lions (1958). Entering academic in the 1970s, Dmytryk lectured on both film and directing, first at the University of Texas at Austin and later at the University of Southern California. He is the author of several classic books on the art of filmmaking, including On Film Editing, On Screen Directing, On Screen Writing, On Screen Acting, and Cinema: Concept & Practice, all published by Focal Press/Routledge. Andrew Lund (contributor) is Director of the Integrated Media Arts MFA Program and teaches film production at Hunter College CUNY. He received law and film degrees from Columbia University, where he studied with the legendary editor Ralph Rosenblum (The Pawnbroker, Annie Hall). Andrew has edited three films, worked as a producer on ten features, and has written and directed numerous shorts that screened in festivals worldwide and were theatrically distributed. Andrew’s writing on film focuses on the short as an art form.

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