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The information captured in these pages remains as relevant today as it was thirty years ago when rock and roll was still in its nova stage. Bennett's book is perhaps the only one of it's kind to explain the relatively inscrutable process of how one finds their own sound, and in so doing, he expands the reach of sociology deeper into the meaning of social music. A rare combination of scholarship and street smarts. -- Ben Sidran, Host of NPR's Jazz Alive

The information captured in these pages remains as relevant today as it was thirty years ago when rock and roll was still in its nova stage. Bennett's book is perhaps the only one of it's kind to explain the relatively inscrutable process of how one finds their own sound, and in so doing, he expands the reach of sociology deeper into the meaning of social music. A rare combination of scholarship and street smarts. -- Ben Sidran, Host of NPR's Jazz Alive At long last back in print and with an introduction by Howard Becker! This book is indispensable for any ethnomusicology of contemporary pop music. H. Stith Bennett brings the resources of phenomenology to the sociology of pop and rock music, meaning not only field work but method. Bennett's celebrated notion of recording consciousness is the key to Becoming a Rock Musician, yet the book as a whole shows the reader how ethnomusicology is done. -- Babette Babich, author of The Hallelujah Effect: Music, Performance Practice, and Technology

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H. Stith Bennett has taught at the University of Illinois, the University of Washington, the University of Missouri, and Colorado Women's College. He now lives off the grid in a cabin in Colorado, where he writes his own prose, poems, and songs.

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