Overview

Full Product Details

9780226384733

Table of Contents

Reviews

Art, to Kabakov, is something you risk your life for, because art--when it is true--holds a place for the emergent. In this spirit, Kabakov not at all paradoxically has said, 'The artist must paint an open book.' In bringing us this volume, Matthew Jackson has performed a crucial service. Here, the two are partners in discourse. This much shows on every surprising, beautiful page. --Darby English, University of Chicago The Russian Review Before Ilya Kabakov was an international art star, he was the guiding genius of the unofficial Moscow art world in the waning decades of the Soviet Union. This tightly curated but expansive volume of his writings--expertly framed by Matthew Jesse Jackson--finally delivers Kabakov's brilliance and wit to the non-Russian reader. Kabakov the artist is inseparable from Kabakov the storyteller, and his early writings convey the intellectual intensity of his insular late-socialist world. The later ones--increasingly poetic or even incantational--return to familiar themes from the perspective of the emigre, yielding new insights about the ever-colonialist expectations of the Western art world. --Christina Kaier, Northwestern University The Russian Review In Russia, Ilya Kabakov is regarded as the greatest living Russian artist. Internationally he is known as one of the most important representatives of installation art. However, this book shows Kabakov as an acute observer of the Russian and international art scene. Kabakov's essays collected here shed light on art practices long overshadowed by the political conflicts of recent decades. --Boris Groys, New York University The Russian Review Insights into Russian literature and writing are usually difficult to access without fluency, because the language is nuanced and referential, yet the way Jackson translates Kabakov's writing does it justice by allowing readers in. Most of all, the book illuminates the late Soviet period and the cultures and artists that came from it. . . . Kabakov's incisive commentary reflects on the challenges of art making against the omnipresence of life and the harsh realities it often contains -- whether due to extreme social conditions, censorship, or the reality of life in the false-material utopia of the West, Kabakov's seasoned ability to transcend ideology and maintain a critical line of thought throughout is truly remarkable. --Boris Groys Hyperallergic Kabakov is considered one of the defining figures in contemporary Russian culture. . . . Following a brief introduction by Jackson, Kabakov's writings are arranged in chronological order, and each essay or article is prefaced by Jackson's concise comments. The writings are suffused with an autobiographical character that provides explanatory contextual information. No less significant is the concluding section, which consists of Mikhail Epstein's extended interview with Kabakov. Throughout these writings, which often assume a philosophical cast, one senses Kabakov's bracing wariness of any form of orthodoxy, including that of contemporary art criticism. --Boris Groys CHOICE The book is crucial reading for scholars of contemporary Russian art, offering a vital selection of Ilya Kabakov's texts, interviews, and recollections, with numerous texts never-before published in English. --Boris Groys The Russian Review

Art, to Kabakov, is something you risk your life for, because art--when it is true--holds a place for the emergent. In this spirit, Kabakov not at all paradoxically has said, 'The artist must paint an open book.' In bringing us this volume, Matthew Jackson has performed a crucial service. Here, the two are partners in discourse. This much shows on every surprising, beautiful page. --Darby English, University of Chicago Kabakov is considered one of the defining figures in contemporary Russian culture. . . . Following a brief introduction by Jackson, Kabakov's writings are arranged in chronological order, and each essay or article is prefaced by Jackson's concise comments. The writings are suffused with an autobiographical character that provides explanatory contextual information. No less significant is the concluding section, which consists of Mikhail Epstein's extended interview with Kabakov. Throughout these writings, which often assume a philosophical cast, one senses Kabakov's bracing wariness of any form of orthodoxy, including that of contemporary art criticism. --CHOICE Insights into Russian literature and writing are usually difficult to access without fluency, because the language is nuanced and referential, yet the way Jackson translates Kabakov's writing does it justice by allowing readers in. Most of all, the book illuminates the late Soviet period and the cultures and artists that came from it. . . . Kabakov's incisive commentary reflects on the challenges of art making against the omnipresence of life and the harsh realities it often contains -- whether due to extreme social conditions, censorship, or the reality of life in the false-material utopia of the West, Kabakov's seasoned ability to transcend ideology and maintain a critical line of thought throughout is truly remarkable. --Hyperallergic In Russia, Ilya Kabakov is regarded as the greatest living Russian artist. Internationally he is known as one of the most important representatives of installation art. However, this book shows Kabakov as an acute observer of the Russian and international art scene. Kabakov's essays collected here shed light on art practices long overshadowed by the political conflicts of recent decades. --Boris Groys, New York University Before Ilya Kabakov was an international art star, he was the guiding genius of the unofficial Moscow art world in the waning decades of the Soviet Union. This tightly curated but expansive volume of his writings--expertly framed by Matthew Jesse Jackson--finally delivers Kabakov's brilliance and wit to the non-Russian reader. Kabakov the artist is inseparable from Kabakov the storyteller, and his early writings convey the intellectual intensity of his insular late-socialist world. The later ones--increasingly poetic or even incantational--return to familiar themes from the perspective of the emigre, yielding new insights about the ever-colonialist expectations of the Western art world. --Christina Kaier, Northwestern University

Kabakov is considered one of the defining figures in contemporary Russian culture. . . . Following a brief introduction by Jackson, Kabakov's writings are arranged in chronological order, and each essay or article is prefaced by Jackson's concise comments. The writings are suffused with an autobiographical character that provides explanatory contextual information. No less significant is the concluding section, which consists of Mikhail Epstein's extended interview with Kabakov. Throughout these writings, which often assume a philosophical cast, one senses Kabakov's bracing wariness of any form of orthodoxy, including that of contemporary art criticism. --CHOICE Insights into Russian literature and writing are usually difficult to access without fluency, because the language is nuanced and referential, yet the way Jackson translates Kabakov's writing does it justice by allowing readers in. Most of all, the book illuminates the late Soviet period and the cultures and artists that came from it. . . . Kabakov's incisive commentary reflects on the challenges of art making against the omnipresence of life and the harsh realities it often contains -- whether due to extreme social conditions, censorship, or the reality of life in the false-material utopia of the West, Kabakov's seasoned ability to transcend ideology and maintain a critical line of thought throughout is truly remarkable. --Hyperallergic In Russia, Ilya Kabakov is regarded as the greatest living Russian artist. Internationally he is known as one of the most important representatives of installation art. However, this book shows Kabakov as an acute observer of the Russian and international art scene. Kabakov's essays collected here shed light on art practices long overshadowed by the political conflicts of recent decades. --Boris Groys, New York University Before Ilya Kabakov was an international art star, he was the guiding genius of the unofficial Moscow art world in the waning decades of the Soviet Union. This tightly curated but expansive volume of his writings--expertly framed by Matthew Jesse Jackson--finally delivers Kabakov's brilliance and wit to the non-Russian reader. Kabakov the artist is inseparable from Kabakov the storyteller, and his early writings convey the intellectual intensity of his insular late-socialist world. The later ones--increasingly poetic or even incantational--return to familiar themes from the perspective of the migr , yielding new insights about the ever-colonialist expectations of the Western art world. --Christina Kaier, Northwestern University Art, to Kabakov, is something you risk your life for, because art--when it is true--holds a place for the emergent. In this spirit, Kabakov not at all paradoxically has said, 'The artist must paint an open book.' In bringing us this volume, Matthew Jackson has performed a crucial service. Here, the two are partners in discourse. This much shows on every surprising, beautiful page. --Darby English, University of Chicago

Art, to Kabakov, is something you risk your life for, because art--when it is true--holds a place for the emergent. In this spirit, Kabakov not at all paradoxically has said, 'The artist must paint an open book.' In bringing us this volume, Matthew Jackson has performed a crucial service. Here, the two are partners in discourse. This much shows on every surprising, beautiful page. --Darby English, University of Chicago Before Ilya Kabakov was an international art star, he was the guiding genius of the unofficial Moscow art world in the waning decades of the Soviet Union. This tightly curated but expansive volume of his writings--expertly framed by Matthew Jesse Jackson--finally delivers Kabakov's brilliance and wit to the non-Russian reader. Kabakov the artist is inseparable from Kabakov the storyteller, and his early writings convey the intellectual intensity of his insular late-socialist world. The later ones--increasingly poetic or even incantational--return to familiar themes from the perspective of the emigre, yielding new insights about the ever-colonialist expectations of the Western art world. --Christina Kaier, Northwestern University In Russia, Ilya Kabakov is regarded as the greatest living Russian artist. Internationally he is known as one of the most important representatives of installation art. However, this book shows Kabakov as an acute observer of the Russian and international art scene. Kabakov's essays collected here shed light on art practices long overshadowed by the political conflicts of recent decades. --Boris Groys, New York University Insights into Russian literature and writing are usually difficult to access without fluency, because the language is nuanced and referential, yet the way Jackson translates Kabakov's writing does it justice by allowing readers in. Most of all, the book illuminates the late Soviet period and the cultures and artists that came from it. . . . Kabakov's incisive commentary reflects on the challenges of art making against the omnipresence of life and the harsh realities it often contains -- whether due to extreme social conditions, censorship, or the reality of life in the false-material utopia of the West, Kabakov's seasoned ability to transcend ideology and maintain a critical line of thought throughout is truly remarkable. -- Hyperallergic Kabakov is considered one of the defining figures in contemporary Russian culture. . . . Following a brief introduction by Jackson, Kabakov's writings are arranged in chronological order, and each essay or article is prefaced by Jackson's concise comments. The writings are suffused with an autobiographical character that provides explanatory contextual information. No less significant is the concluding section, which consists of Mikhail Epstein's extended interview with Kabakov. Throughout these writings, which often assume a philosophical cast, one senses Kabakov's bracing wariness of any form of orthodoxy, including that of contemporary art criticism. -- CHOICE The book is crucial reading for scholars of contemporary Russian art, offering a vital selection of Ilya Kabakov's texts, interviews, and recollections, with numerous texts never-before published in English. -- The Russian Review

Author Information

Ilya Kabakov is a conceptual artist and one of the most influential artists of the late Soviet and post-Soviet eras. His work is found in MoMA, The Guggenheim, Centre Pompidou, Tate Modern, and the Hermitage, among others. He emigrated to the West in 1987, and since has created hundreds of installations in collaboration with his wife, Emilia Kabakov. Matthew Jesse Jackson teaches art history at the University of Chicago. He is the author of The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes, published by the University of Chicago Press.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available