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OverviewFull Product DetailsAuthor: David W. GalensonPublisher: Princeton University Press Imprint: Princeton University Press Dimensions: Width: 15.20cm , Height: 2.30cm , Length: 23.50cm Weight: 0.482kg ISBN: 9780691121093ISBN 10: 0691121095 Pages: 256 Publication Date: 16 January 2006 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Tertiary & Higher Education Replaced By: 9781400837397 Format: Hardback Publisher's Status: Out of Print Availability: Out of stock ![]() Language: English Table of ContentsReviewsGalenson's idea that creativity can be divided into these types--conceptual and experimental--has a number of important implications. -- Malcolm Gladwell, New Yorker David Galenson has developed something approaching a unified theory of art ... [that] does a surprisingly good job of explaining the relative value of the world's great paintings... While Mr. Galenson has been studying the art world over the last five years, all sorts of other fields have been engaged in their own debate about judgment versus rules... When the traditionalists in these fields describe their skepticism of statistics, they sometimes make the argument that their craft is as much art as it is science. That's a nice line, but the next time you hear it, think back to Mr. Galenson's work. Even art, it turns out, has a good bit of science to it. -- David Leonhardt, The New York Times After a decade of number crunching, Galenson, at the not-so-tender age of 55, has fashioned something audacious and controversial: a unified field theory of creativity. Not bad for a middle-aged guy. What have you done lately? -- Daniel Pink, Wired An intriguing book. -- The Age Galenson's idea that creativity can be divided into these types--conceptual and experimental--has a number of important implications. -- Malcolm Gladwell New Yorker David Galenson has developed something approaching a unified theory of art ... [that] does a surprisingly good job of explaining the relative value of the world's great paintings... While Mr. Galenson has been studying the art world over the last five years, all sorts of other fields have been engaged in their own debate about judgment versus rules... When the traditionalists in these fields describe their skepticism of statistics, they sometimes make the argument that their craft is as much art as it is science. That's a nice line, but the next time you hear it, think back to Mr. Galenson's work. Even art, it turns out, has a good bit of science to it. -- David Leonhardt The New York Times After a decade of number crunching, Galenson, at the not-so-tender age of 55, has fashioned something audacious and controversial: a unified field theory of creativity. Not bad for a middle-aged guy. What have you done lately? -- Daniel Pink Wired An intriguing book. The Age Author InformationDavid W. Galenson is a professor in the Department of Economics and the College at the University of Chicago, and a research associate of the National Bureau of Economic Research. He is the author of several books, including ""Painting Outside the Lines: Patterns of Creativity in Modern Art"". Tab Content 6Author Website:Countries AvailableAll regions |