Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity

Author:   David W. Galenson
Publisher:   Princeton University Press
ISBN:  

9780691121093


Pages:   256
Publication Date:   16 January 2006
Replaced By:   9781400837397
Format:   Hardback
Availability:   Out of stock   Availability explained


Our Price $126.59 Quantity:  
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Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity


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Full Product Details

Author:   David W. Galenson
Publisher:   Princeton University Press
Imprint:   Princeton University Press
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 23.50cm
Weight:   0.482kg
ISBN:  

9780691121093


ISBN 10:   0691121095
Pages:   256
Publication Date:   16 January 2006
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Replaced By:   9781400837397
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Out of stock   Availability explained

Language:   English

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Reviews

Galenson's idea that creativity can be divided into these types--conceptual and experimental--has a number of important implications. -- Malcolm Gladwell, New Yorker David Galenson has developed something approaching a unified theory of art ... [that] does a surprisingly good job of explaining the relative value of the world's great paintings... While Mr. Galenson has been studying the art world over the last five years, all sorts of other fields have been engaged in their own debate about judgment versus rules... When the traditionalists in these fields describe their skepticism of statistics, they sometimes make the argument that their craft is as much art as it is science. That's a nice line, but the next time you hear it, think back to Mr. Galenson's work. Even art, it turns out, has a good bit of science to it. -- David Leonhardt, The New York Times After a decade of number crunching, Galenson, at the not-so-tender age of 55, has fashioned something audacious and controversial: a unified field theory of creativity. Not bad for a middle-aged guy. What have you done lately? -- Daniel Pink, Wired An intriguing book. -- The Age


Galenson's idea that creativity can be divided into these types--conceptual and experimental--has a number of important implications. -- Malcolm Gladwell New Yorker David Galenson has developed something approaching a unified theory of art ... [that] does a surprisingly good job of explaining the relative value of the world's great paintings... While Mr. Galenson has been studying the art world over the last five years, all sorts of other fields have been engaged in their own debate about judgment versus rules... When the traditionalists in these fields describe their skepticism of statistics, they sometimes make the argument that their craft is as much art as it is science. That's a nice line, but the next time you hear it, think back to Mr. Galenson's work. Even art, it turns out, has a good bit of science to it. -- David Leonhardt The New York Times After a decade of number crunching, Galenson, at the not-so-tender age of 55, has fashioned something audacious and controversial: a unified field theory of creativity. Not bad for a middle-aged guy. What have you done lately? -- Daniel Pink Wired An intriguing book. The Age


Author Information

David W. Galenson is a professor in the Department of Economics and the College at the University of Chicago, and a research associate of the National Bureau of Economic Research. He is the author of several books, including ""Painting Outside the Lines: Patterns of Creativity in Modern Art"".

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