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OverviewDesigned as a resource for artists, writers, and behavioral scientists, this compilation of the myths and symbols of old age lists more than 400 entries ranging from Abraham and acacia through Zorya and Zurvan. Coverage includes traditional mythical figures, literary characters, the symbolic attributes of old age such as time measurement and musical instruments, animals associated with aging, objects, types of locations, and more. The result of four years' research in a variety of sources, the volume reports on the use of such symbols in art, literature, and popular culture, providing the most comprehensive coverage of myths and symbols of old age available in one volume. Entries are arranged alphabetically and include short citations indicating the sources used to compile the entry. A complete bibliography listing the full titles of all sources is also included to help readers who wish further information on a particular subject. Cross-references are used throughout to highlight related entries. Full Product DetailsAuthor: Patrick Mckee , Jennifer MclerranPublisher: Bloomsbury Publishing Plc Imprint: Greenwood Press Dimensions: Width: 15.60cm , Height: 1.20cm , Length: 23.50cm Weight: 0.510kg ISBN: 9780313278457ISBN 10: 0313278458 Pages: 208 Publication Date: 25 September 1991 Recommended Age: From 7 to 17 years Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction List of Entries The Dictionary BibliographyReviews?This very specialized volume defines 420 terms related to the myths and symbols of old age. Arranged in alphabetical order from Abraham through ivory and Mother Goose to Zurvan, the definitions range in length from one sentence to one and a half pages. The entries include mythical and literary figures, symbols and attributes of old age, and terms related to both the passage of time and aging itself. Citations to the sources of information are included in each entry, and a bibliography of these sources follows the main section. Cross-references to other entries are noted within the texts of the definitions. The list of entries is necessarily selective, but the inclusion of grey but not wrinkled is curious. McLerran, an art critic and painter, and McKee (philosophy, Colorado State University) write clearly and bring together an array of intriguing if sometimes fragmentary information. However, this will be of interest primarily to libraries with a focus in this subject.?-Choice ?This very specialized volume defines 420 terms related to the myths and symbols of old age. Arranged in alphabetical order from Abraham through ivory and Mother Goose to Zurvan, the definitions range in length from one sentence to one and a half pages. The entries include mythical and literary figures, symbols and attributes of old age, and terms related to both the passage of time and aging itself. Citations to the sources of information are included in each entry, and a bibliography of these sources follows the main section. Cross-references to other entries are noted within the texts of the definitions. The list of entries is necessarily selective, but the inclusion of grey but not wrinkled is curious. McLerran, an art critic and painter, and McKee (philosophy, Colorado State University) write clearly and bring together an array of intriguing if sometimes fragmentary information. However, this will be of interest primarily to libraries with a focus in this subject.?-Choice This very specialized volume defines 420 terms related to the myths and symbols of old age. Arranged in alphabetical order from Abraham through ivory and Mother Goose to Zurvan, the definitions range in length from one sentence to one and a half pages. The entries include mythical and literary figures, symbols and attributes of old age, and terms related to both the passage of time and aging itself. Citations to the sources of information are included in each entry, and a bibliography of these sources follows the main section. Cross-references to other entries are noted within the texts of the definitions. The list of entries is necessarily selective, but the inclusion of grey but not wrinkled is curious. McLerran, an art critic and painter, and McKee (philosophy, Colorado State University) write clearly and bring together an array of intriguing if sometimes fragmentary information. However, this will be of interest primarily to libraries with a focus in this subject. -Choice This very specialized volume defines 420 terms related to the myths and symbols of old age. Arranged in alphabetical order from Abraham through ivory and Mother Goose to Zurvan, the definitions range in length from one sentence to one and a half pages. The entries include mythical and literary figures, symbols and attributes of old age, and terms related to both the passage of time and aging itself. Citations to the sources of information are included in each entry, and a bibliography of these sources follows the main section. Cross-references to other entries are noted within the texts of the definitions. The list of entries is necessarily selective, but the inclusion of grey but not wrinkled is curious. McLerran, an art critic and painter, and McKee (philosophy, Colorado State University) write clearly and bring together an array of intriguing if sometimes fragmentary information. However, this will be of interest primarily to libraries with a focus in this subject. -Choice ?This very specialized volume defines 420 terms related to the myths and symbols of old age. Arranged in alphabetical order from Abraham through ivory and Mother Goose to Zurvan, the definitions range in length from one sentence to one and a half pages. The entries include mythical and literary figures, symbols and attributes of old age, and terms related to both the passage of time and aging itself. Citations to the sources of information are included in each entry, and a bibliography of these sources follows the main section. Cross-references to other entries are noted within the texts of the definitions. The list of entries is necessarily selective, but the inclusion of grey but not wrinkled is curious. McLerran, an art critic and painter, and McKee (philosophy, Colorado State University) write clearly and bring together an array of intriguing if sometimes fragmentary information. However, this will be of interest primarily to libraries with a focus in this subject.?-Choice Author InformationJENNIFER McLERRAN is an art critic and painter in Seattle, Washington. She received her Master of Fine Arts from Colorado State University and a Master of Humanities from the University of Colorado. PATRICK McKEE is Professor and Chair of the Department of Philosophy at Colorado State University. Tab Content 6Author Website:Countries AvailableAll regions |
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