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OverviewFull Product DetailsAuthor: Lisa Stead (Lecturer in Film Studies, University of Exeter)Publisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.503kg ISBN: 9780748694884ISBN 10: 0748694889 Pages: 232 Publication Date: 12 August 2016 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsIllustrationsAcknowledgementsPrefaceChapter 1: Off to the Pictures: Cinema, Fiction and Interwar CultureChapter 2: Screen Fantasies: Tie-ins and the Short StoryChapter 3: Middlebrow Modernity: Class, Cinemagoing and SelfhoodChapter 4: Wander, Watch, Repeat: Jean Rhys and CinemaChapter 5: Film Talk: C. A. Lejeune and the Female Film CriticChapter 6: Elinor Glyn: Intermedial Romance and Authorial StardomAfterwordBibliographyIndexReviewsLisa Stead's methodologically sophisticated and impeccably researched study of women and cinema culture between the wars brings under the spotlight a transformative moment when popular media, modernity, modernism and femininity came together in shaping unprecedented new ways of being a woman. -- Professor Annette Kuhn, Queen Mary University of London In bringing together cinema-going characters with creators of film fictions across an array of genres and media, Stead's project not only demonstrates how gender was navigated through cinema in this transformative period in the United Kingdom but also offers innovative means of interconnecting authorial and fictional identities, lived and imagined experiences, across media without collapsing them. -- Laurel Harris, Tulsa Studies in Women's Literature """Lisa Stead's methodologically sophisticated and impeccably researched study of women and cinema culture between the wars brings under the spotlight a transformative moment when popular media, modernity, modernism and femininity came together in shaping unprecedented new ways of being a woman."" -- Professor Annette Kuhn, Queen Mary University of London""In bringing together ^cinema-going characters"" with ""creators of film fictions"" across an array of genres and media, Stead's project not only demonstrates how gender was navigated through cinema in this transformative period in the United Kingdom but also offers innovative means of interconnecting authorial and fictional identities, lived and imagined experiences, across media without collapsing them."" -- Laurel Harris, Tulsa Studies in Women's Literature" Lisa Stead's methodologically sophisticated and impeccably researched study of women and cinema culture between the wars brings under the spotlight a transformative moment when popular media, modernity, modernism and femininity came together in shaping unprecedented new ways of being a woman. -- Professor Annette Kuhn, Queen Mary University of London Author InformationDr Lisa Stead is a Senior Lecturer in Film Studies at Swansea University. She is the author of Reframing Vivien Leigh: Stardom, Gender and the Archive (OUP, 2021) and Off to the Pictures: Women’s Writing, Cinemagoing, and Movie Culture in Interwar Britain (EUP 2016). She is co-editor (with Carrie Smith) of The Boundaries of the Literary archive (Routledge, 2013). Tab Content 6Author Website:Countries AvailableAll regions |
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