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Andrew Benjamin has written an original and provocative meditation on the place of the 'figure' of the animal in modern philosophy and culture. The book is remarkable for its sensitivity to the issue of visibility and the use of visual material. The engagement with the philosophical history of art is beautifully sustained and serves not only to work through the theme of figuration but also to make the philosophical narrative available to a wider range of readers. -- Howard Caygill, Goldsmith's College A stimulating book which will help those readers who, interested in the work of Agamben and the late Derrida, wish to reflect more on the image of the animal in classical continental philosophy. -- Peter Fenves, Northwestern University Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired. -- Richard Iveson, Goldsmiths, University of London Parallax Andrew Benjamin has written an original and provocative meditation on the place of the 'figure' of the animal in modern philosophy and culture. The book is remarkable for its sensitivity to the issue of visibility and the use of visual material. The engagement with the philosophical history of art is beautifully sustained and serves not only to work through the theme of figuration but also to make the philosophical narrative available to a wider range of readers. A stimulating book which will help those readers who, interested in the work of Agamben and the late Derrida, wish to reflect more on the image of the animal in classical continental philosophy. Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired.

Andrew Benjamin has written an original and provocative meditation on the place of the 'figure' of the animal in modern philosophy and culture. The book is remarkable for its sensitivity to the issue of visibility and the use of visual material. The engagement with the philosophical history of art is beautifully sustained and serves not only to work through the theme of figuration but also to make the philosophical narrative available to a wider range of readers. -- Howard Caygill, Goldsmith's College A stimulating book which will help those readers who, interested in the work of Agamben and the late Derrida, wish to reflect more on the image of the animal in classical continental philosophy. -- Peter Fenves, Northwestern University Andrew Benjamin has written an original and provocative meditation on the place of the 'figure' of the animal in modern philosophy and culture. The book is remarkable for its sensitivity to the issue of visibility and the use of visual material. The engagement with the philosophical history of art is beautifully sustained and serves not only to work through the theme of figuration but also to make the philosophical narrative available to a wider range of readers. A stimulating book which will help those readers who, interested in the work of Agamben and the late Derrida, wish to reflect more on the image of the animal in classical continental philosophy.

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Andrew Benjamin is Professor of Critical Theory and Philosophical Aesthetics and Director of the Research Unit in European Philosophy in the Faculty of Arts at Monash University. His most recent books are Writing Art and Architecture (re:press Books, 2009) and Style and Time: Essays on the Politics of Appearance (Northwestern University Press, 2006).

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