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Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired. -- Richard Iveson, Goldsmiths, University of London Parallax Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired.

Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired. -- Richard Iveson, Goldsmiths, University of London Parallax

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Andrew Benjamin is Professor of Critical Theory and Philosophical Aesthetics and Director of the Research Unit in European Philosophy in the Faculty of Arts at Monash University. His most recent books are Writing Art and Architecture (re:press Books, 2009) and Style and Time: Essays on the Politics of Appearance (Northwestern University Press, 2006).

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