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OverviewFull Product DetailsAuthor: Amanda BaileyPublisher: University of Pennsylvania Press Imprint: University of Pennsylvania Press Dimensions: Width: 15.20cm , Height: 2.80cm , Length: 22.90cm Weight: 0.499kg ISBN: 9780812245165ISBN 10: 0812245164 Pages: 224 Publication Date: 14 June 2013 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface Introduction: Bound Bodies and the Theater of Debt Chapter 1. Timon of Athens, Forms of Payback, and the Genre of Debt Chapter 2. Shylock and the Slaves: Owing and Owning in The Merchant of Venice Chapter 3. Michaelmas Term and the Problem of Satisfaction Chapter 4. Freedom, Bondage, and Redemption in The Custom of the Country Chapter 5. Prison Prose, the Pit, and the End of Tricks Epilogue: The Debtor and the Slave Notes Works Cited Index AcknowledgmentsReviewsAbsorbing and beautifully written. Amanda Bailey thinks about debt as a bodily event at the center of political and moral issues raised by contract law, including the question of self-ownership. -Jonathan Gil Harris, George Washington University [Bailey] offers a compelling account of the role of debt in the early modern imaginary...[her] literary exegesis...raises important historical questions. -Sixteenth Century Journal Absorbing and beautifully written. Amanda Bailey thinks about debt as a bodily event at the center of political and moral issues raised by contract law, including the question of self-ownership. -Jonathan Gil Harris, George Washington University Author InformationAmanda Bailey is Associate Professor of English at the University of Maryland and author of Flaunting: Style and the Subversive Male Body in Renaissance England. Tab Content 6Author Website:Countries AvailableAll regions |