Full Product Details
Author: Christian Wolff (Professor of Music & Classics, Emeritus, Professor of Music & Classics, Emeritus, Dartmouth College) ,
George E. Lewis (Edwin H. Case Professor of American Music, Edwin H. Case Professor of American Music, Columbia University)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 23.10cm
, Height: 2.30cm
, Length: 15.50cm
Weight: 0.612kg
ISBN: 9780190614706
ISBN 10: 0190614706
Pages: 368
Publication Date: 30 March 2017
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: To order
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.
Reviews
For those who claim that writing about music is a futile enterprise, and that perhaps a composer should not write about their own music, let this book dispel any doubts. Christian Wolff's life, music, and thought exemplify how complexity, imagination, vision, and an ear for sounds previously unheard can be combined seamlessly, creating a body of work unlike any other before (and, I expect, after) him. For those of us who have always wondered: 'how does he do it?', this new book provides an essential and welcome piece of the puzzle. We still won't know, but the clarity, depth, and honesty of Wolff's writing brings us, tantalizingly, a bit closer to the answer. * Larry Polansky, composer and performer * This long-anticipated book is a tremendously valuable resource for studies in contemporary American music since the 1950s. In addition to being one of our nation's original and prolific composers, Wolff is an intelligent, articulate, elegant writer. * Amy C. Beal, author of New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification *
This long-anticipated book is a tremendously valuable resource for studies in contemporary American music since the 1950s. In addition to being one of our nation's original and prolific composers, Wolff is an intelligent, articulate, elegant writer. -- Amy C. Beal, author of New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification For those who claim that writing about music is a futile enterprise, and that perhaps a composer should not write about their own music, let this book dispel any doubts. Christian Wolff's life, music, and thought exemplify how complexity, imagination, vision, and an ear for sounds previously unheard can be combined seamlessly, creating a body of work unlike any other before (and, I expect, after) him. For those of us who have always wondered: 'how does he do it?', this new book provides an essential and welcome piece of the puzzle. We still won't know, but the clarity, depth, and honesty of Wolff's writing brings us, tantalizingly, a bit closer to the answer. -- Larry Polansky, composer and performer
Author Information
Christian Wolff is a former Professor of Classics and Music at Dartmouth College, now a full-time composer and sometime performer. Born in Nice, France, he has lived and worked primarily in the United States since 1941, where he studied composition briefly with John Cage in 1950. He was a pioneering member of the ""New York School"" of composition in the 1950's and 60's and with Cage, Morton Feldman, Earle Brown and David Tudor produced a range of experimental music that maintains a notable and still evolving presence. Wolff has received awards and grants from the American Academy and National Institute of Arts and Letters, the Ford Foundation, DAAD Berlin, the Asian Cultural Council, the Fromm Foundation, the Foundation for Contemporary Performance Arts and the Mellon Foundation, and is a member of the Akademie der Kuenste in Berlin and the American Academy of Arts and Sciences. George E. Lewis is Edwin H. Case Professor of American Music at Columbia University.
