Overview

Objects- USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined and elevated American craft. Objects- USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects- USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects- USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects- USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects- USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

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9781580935739

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Reviews

[A] new and noteworthy visual book. --New York Times Book Review A heartfelt display, Objects USA: 2020 updates the 1969 project by building bridges of influence and inspiration across generations of artists. --Hyperallergic [An] incredible book, and really a must-have design staple. --Wendy Goodman

[A] new and noteworthy visual book. - New York Times Book Review Investigates the shifting role of multidisciplinary craftspeople and artisans in an era fueled by digital transactions. A meditation on American craft. - AD Pro A heartfelt display, Objects USA: 2020 updates the 1969 project by building bridges of influence and inspiration across generations of artists. - Hyperallergic [An] incredible book, and really a must-have design staple. - Wendy Goodman An incredibly timely look at the craft movement in art, as notions of inclusion, sustainability, and labor profoundly resonate with an urgency of self-expression. - Interior Design Magazine The groundbreaking 1969 craft exhibit 'Objects: USA' gets a reboot. - Smithsonian Magazine The revival of Objects: USA celebrates a new generation of design talent. - W Magazine

A heartfelt display, Objects USA: 2020 updates the 1969 project by building bridges of influence and inspiration across generations of artists. --Hyperallergic

Author Information

Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. Currently senior scholar at the Yale Center for British Art, he was previously director of the Museum of Arts and Design; head of research at the V&A; and curator at the Chipstone Foundation in Milwaukee. James Zemaitis is a curator and director of museum relations at R & Company. Prior to joining R, Zemaitis served as director of Twentieth-Century Design at Phillips, senior vice president at Sotheby's, and visiting curator of decorative arts at the Indianapolis Museum of Art, where he oversaw the museum's newly installed Contemporary Design galleries, and worked with the IMA's Design Arts Society to strengthen the museum's permanent collection. Lena Vigna is curator of exhibitions at the the Racine Museum of art. She has curated over forty exhibitions on contemporary adornment, fiber, sculpture, and installation. Evan Snyderman and Zesty Meyers are cofounders of the design gallery R & Company.

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