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Awards
OverviewFull Product DetailsAuthor: Finbarr FloodPublisher: Princeton University Press Imprint: Princeton University Press Dimensions: Width: 20.30cm , Height: 2.80cm , Length: 25.40cm Weight: 1.361kg ISBN: 9780691125947ISBN 10: 0691125945 Pages: 384 Publication Date: 03 May 2009 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Out of Print Availability: Awaiting stock ![]() Language: English Table of ContentsAcknowledgments xi A Note on Translations and Transliterations xv Introduction 1 Roots or Routes? 1 Networks, Translation, and Transculturation 5 Things and Texts 9 Chapter 1: The Mercantile Cosmopolis 15 Polyglot Frontiers and Permeable Boundaries 15 Gifts, Idolatry, and the Political Economy 26 Heteropraxy, Taxonomy, and Traveling Orthography 37 Chapter 2: Cultural Cross-dressing 61 Prestigious Imitation 61 Fractal Kingship and Royal Castoff s 75 The Raja's Finger and the Sultan's Belt 84 Chapter 3: Accommodating the Infi del 89 Sunni Internationalism and the Ghurid Interlude 89 From King of the Mountains to the Second Alexander 93 Homology, Ambiguity, and the Rule of Sri Hammira 107 Chapter 4: Looking at Loot 121 Signs of Sovereignty 121 Looting and Diff erence 123 Trophies and Transculturation 126 Chapter 5: Remaking Monuments 137 Taxonomies, Anomalies, and Visual Pidgin 137 Rupture and Reinscription 152 Noble Chambers and Translated Stones 160 Patrons and Masons 184 Markets, Mobility, and Intentional Hybridity 189 Chapter 6: Palimpsest Pasts and Fictive Genealogies 227 A World within a World 227 Monuments and Memory 247 The Fate of Hamm?ra 255 Conclusion: In and Out of Place 261 Appendix: Principal Dynasties and Rulers Mentioned 269 Notes 271 Bibliography 311 1. Primary Sources 311 2. Secondary Sources (a) History and Material Culture 317 (b) Conceptual and Theoretical 347 Index 353ReviewsThis brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership. -- L. Nees Choice [A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter. -- John E. Cort Religious Studies Review Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind. -- Harbans Mukhia Medieval History Journal This book will not only be of interest to scholars of material culture, art and architectural history, religion, and medieval history, but is also entirely relevant to scholars of modern South Asia. In its insistence on mobility--of objects, people, and ideas--and resistance to boundaries, Flood's book is a timely reminder that global mobility is hardly a new phenomenon. -- Preeti Chopra Contemporary South Asia This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership. -- L. Nees Choice [A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter. -- John E. Cort Religious Studies Review Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind. -- Harbans Mukhia Medieval History Journal This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership. -- L. Nees Choice [A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter. -- John E. Cort Religious Studies Review Author InformationFinbarr B. Flood is associate professor in the Department of Art History and the Institute of Fine Arts at New York University. He is the author of ""The Great Mosque of Damascus: Studies on the Making of an Umayyad Visual Culture"". Tab Content 6Author Website:Countries AvailableAll regions |