Objects of Translation: Material Culture and Medieval ""Hindu-Muslim"" Encounter

Awards:   Commended for Choice Magazine Outstanding Reference/Academic Book Award 2009. Runner-up for Choice Magazine Outstanding Reference/Academic Book Award 2009. Short-listed for Choice Magazine Outstanding Reference/Academic Book Award 2009 Short-listed for Choice's Outstanding Academic Books 2009 (United States) Shortlisted for Choice Magazine Outstanding Reference/Academic Book Award 2009. Winner of Ananda Kentish Coomaraswamy Book Prize, Association for Asian Studies, South Asia Council 2011 Winner of Association for Asian Studies South Asia Council Ananda Kentish Coomaraswamy Book Prize 2011.
Author:   Finbarr Flood
Publisher:   Princeton University Press
ISBN:  

9780691125947


Pages:   384
Publication Date:   03 May 2009
Format:   Hardback
Availability:   Awaiting stock   Availability explained


Our Price $118.80 Quantity:  
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Objects of Translation: Material Culture and Medieval ""Hindu-Muslim"" Encounter


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Awards

  • Commended for Choice Magazine Outstanding Reference/Academic Book Award 2009.
  • Runner-up for Choice Magazine Outstanding Reference/Academic Book Award 2009.
  • Short-listed for Choice Magazine Outstanding Reference/Academic Book Award 2009
  • Short-listed for Choice's Outstanding Academic Books 2009 (United States)
  • Shortlisted for Choice Magazine Outstanding Reference/Academic Book Award 2009.
  • Winner of Ananda Kentish Coomaraswamy Book Prize, Association for Asian Studies, South Asia Council 2011
  • Winner of Association for Asian Studies South Asia Council Ananda Kentish Coomaraswamy Book Prize 2011.

Overview

Full Product Details

Author:   Finbarr Flood
Publisher:   Princeton University Press
Imprint:   Princeton University Press
Dimensions:   Width: 20.30cm , Height: 2.80cm , Length: 25.40cm
Weight:   1.361kg
ISBN:  

9780691125947


ISBN 10:   0691125945
Pages:   384
Publication Date:   03 May 2009
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Awaiting stock   Availability explained

Language:   English

Table of Contents

Acknowledgments xi A Note on Translations and Transliterations xv Introduction 1 Roots or Routes? 1 Networks, Translation, and Transculturation 5 Things and Texts 9 Chapter 1: The Mercantile Cosmopolis 15 Polyglot Frontiers and Permeable Boundaries 15 Gifts, Idolatry, and the Political Economy 26 Heteropraxy, Taxonomy, and Traveling Orthography 37 Chapter 2: Cultural Cross-dressing 61 Prestigious Imitation 61 Fractal Kingship and Royal Castoff s 75 The Raja's Finger and the Sultan's Belt 84 Chapter 3: Accommodating the Infi del 89 Sunni Internationalism and the Ghurid Interlude 89 From King of the Mountains to the Second Alexander 93 Homology, Ambiguity, and the Rule of Sri Hammira 107 Chapter 4: Looking at Loot 121 Signs of Sovereignty 121 Looting and Diff erence 123 Trophies and Transculturation 126 Chapter 5: Remaking Monuments 137 Taxonomies, Anomalies, and Visual Pidgin 137 Rupture and Reinscription 152 Noble Chambers and Translated Stones 160 Patrons and Masons 184 Markets, Mobility, and Intentional Hybridity 189 Chapter 6: Palimpsest Pasts and Fictive Genealogies 227 A World within a World 227 Monuments and Memory 247 The Fate of Hamm?ra 255 Conclusion: In and Out of Place 261 Appendix: Principal Dynasties and Rulers Mentioned 269 Notes 271 Bibliography 311 1. Primary Sources 311 2. Secondary Sources (a) History and Material Culture 317 (b) Conceptual and Theoretical 347 Index 353

Reviews

This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership. -- L. Nees Choice [A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter. -- John E. Cort Religious Studies Review Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind. -- Harbans Mukhia Medieval History Journal This book will not only be of interest to scholars of material culture, art and architectural history, religion, and medieval history, but is also entirely relevant to scholars of modern South Asia. In its insistence on mobility--of objects, people, and ideas--and resistance to boundaries, Flood's book is a timely reminder that global mobility is hardly a new phenomenon. -- Preeti Chopra Contemporary South Asia


This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership. -- L. Nees Choice [A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter. -- John E. Cort Religious Studies Review Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind. -- Harbans Mukhia Medieval History Journal


This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership. -- L. Nees Choice [A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter. -- John E. Cort Religious Studies Review


Author Information

Finbarr B. Flood is associate professor in the Department of Art History and the Institute of Fine Arts at New York University. He is the author of ""The Great Mosque of Damascus: Studies on the Making of an Umayyad Visual Culture"".

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