Overview

Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursuit that predated the Arts and Crafts movement. Talia Schaffer argues that the handicraft movement served as a way to critique the modern mass-produced commodity and the rapidly emerging industrial capitalism of the nineteenth century. Her argument is illustrated with the four pivotal novels that form her study's core-Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe Junior. Each features various handicrafts that subtly aim to subvert the socioeconomic changes being wrought by industrialization. Schaffer goes beyond straightforward textual analysis by shaping each chapter around the individual craft at the center of each novel (paper for Cranford, flowers and related arts in The Daisy Chain, rubbish and salvage in Our Mutual Friend, and the contrasting ethos of arts and crafts connoisseurship in Phoebe Junior). The domestic handicraft also allows for self-referential analysis of the text itself; in scenes of craft production (and destruction), the authors articulate the work they hope their own fictions perform. The handicraft also becomes a locus for critiquing contemporary aesthetic trends, with the novels putting forward an alternative vision of making value and understanding art. A work that combines cultural history and literary studies, Novel Craft highlights how attention to the handicraft movement's radically alternative views of materiality, consumption, production, representation, and subjectivity provides a fresh perspective on the major changes that shaped the Victorian novel as a whole.

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9780199338566

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Schaffer has revolutionized the study of Victorian aesthetics. -- Choice Amply rewards a close reading and will influence new interpretations of Victorian fictions for years to come. -- Dickens Quarterly Sequins from fish scales, brooches of human hair, papier-mache, scrap books, hand-painted glass, embroidered cushions, wool and crewel work: For the first time this exciting book gives cultural meaning, sometimes poignant, sometimes disturbing, to these artifacts of Victorian domestic handiwork. It shows how the novel incorporates craft objects to make a profound exploration of domestic and industrial economy, home and colonial spaces, use value and exchange value. It transforms the way we see the recycled trivia of the Victorian home. - Isobel Armstrong, author of Victorian Glassworlds In superb close readings of Elizabeth Gaskell's Cranford, Charlotte Yonge's The Daisy Chain, Charles Dickens's Our Mutual Friend and Margaret Oliphant's Phoebe Junior, Schaffer tracks the meanings, desires and anxieties invested in novels as handiwork. -Times Literary Supplement

Author Information

Talia Schaffer is Professor of English at Queens College and the Graduate Center of the City of New York. She is the author of The Forgotten Female Aesthetes, co-editor with Kathy Psomiades of Women and British Aestheticism, and the editor of Literature and Culture at the Fin de Siècle.

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