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OverviewThis volume provides the reader with a comprehensive overview of the rich traditions of noh, classical Japanese dance-drama. Drawing from specialized scholarship in English and in Japanese, it takes an accessible approach useful for a range of readers, including students and researchers of Japanese culture and performing arts, as well as theatre practitioners. The introduction provides an overview, describing noh from the point of view of both the audience and the practitioner. Chapter One traces the history of noh from its origins through stages of development and formalization to the present day. Chapter Two explores the different plays in the repertoire, discussing their structures, themes, and sources. Chapter Three delves into the staging conventions of noh, introducing aspects of movement, music, and chant, as well as costumes, masks, and stage properties. To conclude, this book raises questions about the current situation of noh and explores its potential future. Since its emergence in the 14th century, noh has been appreciated by audiences ranging from the intellectual elites to the warrior class, from the Buddhist clergy to commoners. Throughout its history, noh has influenced other traditional performing arts and, since the early 20th century, it has also been a source of inspiration for theatre practitioners outside of Japan. Full Product DetailsAuthor: Dr Kaoru Nakao (Osaka University, Japan) , Dr Diego Pellecchia (Kyoto Sangyo University, Japan) , Simon Shepherd (Royal Central School of Speech & Drama, University of London, UK)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama Dimensions: Width: 12.60cm , Height: 1.80cm , Length: 20.60cm Weight: 0.340kg ISBN: 9781350371446ISBN 10: 1350371440 Pages: 208 Publication Date: 20 February 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Series Preface 1. Introducing Noh 2. History 3. Plays 4. Performance Appendix Bibliography IndexReviewsFinally, a book that recognises the interdisciplinary complexity of noh. By bringing together history, text, and performance, this study highlights the significance of noh not only to Japanese culture, but to global theatre practices. It makes important connections between tradition and modernity, text and performance, and Japan and the world. * Ashley Thorpe, Royal Holloway, UK, and co-founder and programme director of Noh Training Project UK * Author InformationKaoru Nakao is Associate Professor specializing in noh in the Graduate School of Humanities, Division of Arts Studies (Theater Studies), Osaka University, Japan. Diego Pellecchia is Associate Professor specializing in noh in the Faculty of Cultural Studies, Kyoto Sangyo University, Japan. Tab Content 6Author Website:Countries AvailableAll regions |
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