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OverviewFull Product DetailsAuthor: Mario Slugan (Queen Mary University of London, UK)Publisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Dimensions: Width: 14.20cm , Height: 1.80cm , Length: 21.80cm Weight: 0.380kg ISBN: 9781788312295ISBN 10: 1788312295 Pages: 232 Publication Date: 30 January 2019 Audience: College/higher education , College/higher education , Professional and scholarly , Tertiary & Higher Education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Acknowledgements Introduction 1. Institutional Context 2. Film Theory 3.Assessment of Theory 4. Analytic and Cognitivist Debates 5. Interpretation and Filmmaking 6. Philosophy of Art Conclusion Bibliography IndexReviewsAuthor InformationMario Slugan is Lecturer in Film Studies, Queen Mary University of London, UK. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017), Noël Carroll on Film: A Philosophy of Art and Popular Culture (Bloomsbury, 2018), and Fiction and Imagination in Early Cinema (Bloomsbury, 2019). He is also the editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe and book review editor for Early Popular Visual Culture. Tab Content 6Author Website:Countries AvailableAll regions |