Overview

Relations between the Russian nobility and the state underwent a dynamic transformation during the roughly one hundred-year period encompassing the reign of Catherine II (1762-1796) and ending with the Great Reforms initiated by Alexander II. This period also saw the gradual appearance, by the early decades of the nineteenth century, of a novelistic tradition that depicted the Russian society of its day. In Noble Subjects, Bella Grigoryan examines the rise of the Russian novel in relation to the political, legal, and social definitions that accrued to the nobility as an estate, urging readers to rethink the cultural and political origins of the genre. By examining works by Novikov, Karamzin, Pushkin, Bulgarin, Gogol, Goncharov, Aksakov, and Tolstoy alongside a selection of extra-literary sources (including mainstream periodicals, farming treatises, and domestic and conduct manuals), Grigoryan establishes links between the rise of the Russian novel and a broad-ranging interest in the figure of the male landowner in Russian public discourse. Noble Subjects traces the routes by which the rhetorical construction of the male landowner as an imperial subject and citizen produced a contested site of political, socio-cultural, and affective investment in the Russian cultural imagination. This interdisciplinary study reveals how the Russian novel developed, in part, as a carrier of a masculine domestic ideology. It will appeal to scholars and students of Russian history and literature.

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9780875807744

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Reviews

In this highly original, well-researched study, Grigoryan explores the problematic status of the Russian nobility as citizens in an autocratic state as it was articulated in various journalistic, fictional, and nonfictional texts, while offering fresh interpretations of Russian literary works. This is a rare case of a truly balanced interdisciplinary work that makes an equal contribution to the fields of history and literary studies. --Valeria Sobol, University of Illinois at Urbana-Champaign Noble Subjects makes a substantial contribution to our understanding of the interplay between the rise of the nineteenth-century Russian novel and the formation of identity in Russian noble culture. Grigoryan is the first scholar to explore the relationship in Russia between the novelistic tradition and a rich but understudied body of prescriptive texts concerning agriculture. Her book makes a convincing case that the nobility used these overlapping discursive spaces to constitute a viable public sphere and give shape to their identity. --Thomas Newlin, author of The Voice in the Garden: Andrei Bolotov and the Anxieties of Russian Pastoral, 1738-1833

Author Information

Bella Grigoryan is assistant professor of Russian at Bryn Mawr College.

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