No More Chainsaws: Feminist Criticism and the New Wave of Women's Horror Cinema

Author:   Dan Vena
Publisher:   Rutgers University Press
ISBN:  

9781978824300


Pages:   208
Publication Date:   14 April 2026
Format:   Hardback
Availability:   Not yet available   Availability explained
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No More Chainsaws: Feminist Criticism and the New Wave of Women's Horror Cinema


Overview

“Welcome to the Golden Age of Women-Directed Horror.” Over the last fifteen years, there has been a sustained global influx of women artists working in mainstream and independent horror cinemas earning notable public and industry acclaim. As a result, now, for the first time in horror history, there is also a concentrated corpus of films that explicitly address topics of identity, sexuality, trauma, and monstrosity from women’s perspectives. No More Chainsaws offers an in-depth analysis of some of the earliest and underrated releases within this New Wave of Women’s Horror cinema: Catherine Hardwicke’sTwilight (2008), Karyn Kusama’s Jennifer’s Body (2009), Jennifer and Sylvia Soska’s American Mary (2012), and Kimberly Peirce’s Carrie (2013). No More Chainsaws articulates the ways in which these contemporary films attempt to liberate horror from an over-determining gendered lexicon of violence and terror.

Full Product Details

Author:   Dan Vena
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
ISBN:  

9781978824300


ISBN 10:   1978824300
Pages:   208
Publication Date:   14 April 2026
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Preface Introduction: The Changing Face of Horror 1 Carrie: Escaping Restriction in Kimberly Peirce’s Carrie (2013) 2 Mary: Avenging the Female Body in Jennifer and Sylvia Soska’s American Mary (2012) 3 Bella: Horror as Erotic Fantasy in Catherine Hardwicke’s Twilight (2008) 4 Jennifer: Horror’s Sapphic Spectator in Karyn Kusama’s Jennifer’s Body (2009) Conclusion: A Weapon of Her Own Acknowledgements Notes Bibliography Filmography Index  

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Author Information

Dan Vena is a continuing adjunct associate professor in the Department of Film and Media at Queen's University in Ontario.

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