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OverviewUntil the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works”Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas”DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity. Full Product DetailsAuthor: Jessica DeSpain , Dr. Kevin Hutchings , Dr. Julia M. WrightPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 1.40cm , Length: 23.40cm Weight: 0.586kg ISBN: 9781409432005ISBN 10: 1409432009 Pages: 224 Publication Date: 29 August 2014 Audience: Professional and scholarly , General/trade , Professional & Vocational , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsJessica DeSpain brings together an intriguing combination of works by Charles Dickens, Susan Warner, Fanny Kemble, and Walt Whitman to produce a rich understanding of the culture of reprinting. The result is a thought-provoking and informative exploration of reprinting and textual adaptation in a transatlantic context.'Christine Bold, University of Guelph, Canada, author of The Frontier Club: Popular Westerns and Cultural Power, 1880-1924 Author InformationJessica DeSpain is Associate Professor of English at Southern Illinois University Edwardsville, USA. Tab Content 6Author Website:Countries AvailableAll regions |