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Author:   Mesut Günenc ,  Enes Kavak
Publisher:   Peter Lang AG
Imprint:   Peter Lang AG
Edition:   New edition
Weight:   0.275kg
ISBN:  

9783631860229

ISBN 10:   3631860226
Pages:   152
Publication Date:   23 December 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction — Mehmet Akif Balkaya : The Unbearable Absence of Existence: The Post- Structuralist Condition in Tom Stoppard’s After Magritte — Gül Kurtuluş : Memory, Gender and Innovation in Caryl Churchill’s Cloud Nine: The Brechtian Legacy in the Postmodern Theatre — Mesut Günenç : Deciphering Postdramatic Tragedy in Sarah Kane’s Phaedra’s Love — Enes Kavak and Gökçe Akarık : Nostalgia and Identity Crisis of Black British Characters in Roy Williams’s The No Boys Cricket Club — Mustafa Bal : Apocalypse In- Yer- Face: Mark Ravenhill’s Faust Is Dead — Özlem Karadağ : Becoming Human/ oid: A Posthumanist Critique of Thomas Eccleshare’s Instructions for Correct Assembly — Hakan Gültekin : Post- Neoliberalism, Free Market and Disillusionment: Anders Lustgarten’s If You Don’t Let Us Dream, We Won’t Let You Sleep — Pelin Doğan : “An International Crossroads of Female Pain.” Intersectional Feminism: Jackie Kay’s Chiaroscuro — Notes on Contributors .

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Author Information

Mesut Günenç holds a PhD in English literature and is currently teaching courses on contemporary drama and theatre as an assistant professor at Aydın Adnan Menderes University in Turkey. He has published several articles on Postdramatic theatre and contemporary British drama. He is the author of a Turkish book titled “David Hare’in Oyunlarında Post-Truth Söylem”. He has received a research council scholarship to visit Loughborough University for postdoctoral research. He is a founding member of Theatre and Drama Network (TDN) in Turkey. Enes Kavak is currently working as an assistant professor at Gaziantep University in Turkey. He holds a PhD in English literature from the University of Leeds in the United Kingdom. His doctoral research focuses on Edwardian women’s political theatre. He is the co-editor of an edited volume titled “English Studies in the 21st Century”. His recent research focuses mostly on suffrage literature, women’s writings, contemporary British drama and theatre. He is a founding member of Theatre and Drama Network (TDN) in Turkey.

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