New Music and the Claims of Modernity

Author:   Alastair Williams
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138269071


Pages:   176
Publication Date:   17 November 2016
Format:   Paperback
Availability:   In Print   Availability explained
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New Music and the Claims of Modernity


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Author:   Alastair Williams
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.330kg
ISBN:  

9781138269071


ISBN 10:   1138269077
Pages:   176
Publication Date:   17 November 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Introductions; Part One Modernity: Critical Theory and Aesthetic Modernity: Modernity; Dialectic of Enlightenment and the Culture Industry; Truth as Negation: Negative Dialectics and Aesthetic Theory; Second Generation Critical Theory; Alienated Music: Beethoven to Schoenberg: The Beethoven Critique and Nineteenth-Century Music; Dialectic of Modernity: Schoenberg and Stravinsky; Part Two High Modernism and After: Construction and Indeterminacy: Boulez and Cage; High Modernism; Boulez's Third Piano Sonata; Cage; Modernism Inside Out; Music and Deconstruction; Illusion and Space: Ligeti; Part III Consequences of Modernism: Separate Ways; A Dialectical Circus on Roaratorio; The Persistence of Modernism: Rèpons; Discourses of Modernity; Aesthetics Reclaimed; Postmodernism; Engaging Tradition; Wolfgang Rihm; In Search of Subjectivity; Bibliography; Name and title Index; Subject Index.

Reviews

’Alastair Williams' book is a thoroughly researched and intelligent attempt to analyze the philiosophical backgrounds or implications of modernism and postmodernism in music.' Musicae Scientiae, vol 4, no 2


'Alastair Williams' book is a thoroughly researched and intelligent attempt to analyze the philiosophical backgrounds or implications of modernism and postmodernism in music.' Musicae Scientiae, vol 4, no 2


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Alastair Williams

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