Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 63 (2013): Art and Migration. Netherlandish Artists on the Move, 1400-1750

Author:   Frits Scholten ,  Joanna Woodall ,  Dulcia Meijers
Publisher:   Brill
Volume:   63
ISBN:  

9789004270534


Pages:   384
Publication Date:   20 August 2014
Format:   Hardback
Availability:   Available To Order   Availability explained
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Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 63 (2013): Art and Migration. Netherlandish Artists on the Move, 1400-1750


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Overview

Many Netherlandish artists spread all over Europe and a remarkable number among them achieved great fame and exerted considerable influence on the artistic production of their time. Nevertheless most of them sank into oblivion soon after they died. Dutch art history neglected them for a long time as they did not fit into the traditional canon of the Low Countries, nor were they adopted by the art histories of their new homelands. This new NKJ volume is an attempt to change this.

Full Product Details

Author:   Frits Scholten ,  Joanna Woodall ,  Dulcia Meijers
Publisher:   Brill
Imprint:   Brill
Volume:   63
Dimensions:   Width: 20.10cm , Height: 2.80cm , Length: 26.70cm
Weight:   1.531kg
ISBN:  

9789004270534


ISBN 10:   9004270531
Pages:   384
Publication Date:   20 August 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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These essays trace the broad diaspora of Netherlandish artists from the Iberian Peninsula to Eastern Europe, from the North Sea to the Mediterranean. In doing so, this volume reshapes what Netherlandish art is, where it is found, and what its impact has been. By combining studies of different types of visual production instead of separating them by media, the editors have presented a richer and more cohesive view of early modern visual culture. The volume also stresses the significance of working beyond national borders. The intersection of the local and the pan-European raises questions about not only the role and identity of the Netherlandish artist, but about historiographical and methodological practices. As such, it is instructive reading for both the subject specialist and those whose scholarship lies beyond the borders of Dutch art. Saskia Beranek, University of Pittsburgh


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