Neoliberalism, Postmodernity, and the Contemporary Memorial-Building Boom

Author:   Nicola Clewer
Publisher:   Rowman & Littlefield International
ISBN:  

9781786612991


Pages:   224
Publication Date:   14 June 2022
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Neoliberalism, Postmodernity, and the Contemporary Memorial-Building Boom


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Author:   Nicola Clewer
Publisher:   Rowman & Littlefield International
Imprint:   Rowman & Littlefield International
Dimensions:   Width: 15.70cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.522kg
ISBN:  

9781786612991


ISBN 10:   1786612992
Pages:   224
Publication Date:   14 June 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction 1: The Postmodern-Neoliberal Conjuncture 2: Memorialising in Postmodernity: The Vietnam Veterans Memorial 3: The Holocaust Representation Debate: From the “After-Auschwitz Aporia” to New Forms of “Knowing” 4: Memorialising in Postmodernity: The Holocaust – from “Counter Monuments” to “Trauma Architecture” 5: The Memorial to the Murdered Jews of Europe, the “End of History” and the “Holocaust Sublime” 6: The National September 11 Memorial & Museum: Trauma, Commerce and Patriotism at the new World Trade Center Conclusion: The Authority of the Sublime and the Future of the Monument Bibliography Endnotes

Reviews

Nicola Clewer adds complexity and a needed investigation into large-scale public memorialization that appears to provide insight into the past, but instead, supports contemporary nationalism. Her case studies offer insights into the economics of memorials in urban locations and into the problematic nature of creating sublime spaces for public memory sites. This book provides readers with a necessary set of concerns that should be addressed when visiting any memorial.--Teresa Bergman, Chair of the Communication Department and Professor of Communication, University of the Pacific Nicola Clewer's work examining urban postmodern monument culture is indispensable. By providing a theoretical framework for the concept of the sublime as applied through comparative analysis, Clewer shows how memorials in the neoliberal state from the 1980s onward reify traditional uses of the past to fulfill contemporary ideological and political needs.--Laura A. Macaluso, editor of Monument Culture: International Perspectives on the Future of Monuments in a Changing World


Nicola Clewer adds complexity and a needed investigation into large-scale public memorialization that appears to provide insight into the past, but instead, supports contemporary nationalism. Her case studies offer insights into the economics of memorials in urban locations and into the problematic nature of creating sublime spaces for public memory sites. This book provides readers with a necessary set of concerns that should be addressed when visiting any memorial. --Teresa Bergman, Chair of the Communication Department and Professor of Communication, University of the Pacific Nicola Clewer's work examining urban postmodern monument culture is indispensable. By providing a theoretical framework for the concept of the sublime as applied through comparative analysis, Clewer shows how memorials in the neoliberal state from the 1980s onward reify traditional uses of the past to fulfill contemporary ideological and political needs. --Laura A. Macaluso, editor of Monument Culture: International Perspectives on the Future of Monuments in a Changing World Nicola Clewer adds complexity and a needed investigation into large-scale public memorialization that appears to provide insight into the past, but instead, supports contemporary nationalism. Her case studies offer insights into the economics of memorials in urban locations and into the problematic nature of creating sublime spaces for public memory sites. This book provides readers with a necessary set of concerns that should be addressed when visiting any memorial. Nicola Clewer's work examining urban postmodern monument culture is indispensable. By providing a theoretical framework for the concept of the sublime as applied through comparative analysis, Clewer shows how memorials in the neoliberal state from the 1980s onward reify traditional uses of the past to fulfill contemporary ideological and political needs.


Nicola Clewer adds complexity and a needed investigation into large-scale public memorialization that appears to provide insight into the past, but instead, supports contemporary nationalism. Her case studies offer insights into the economics of memorials in urban locations and into the problematic nature of creating sublime spaces for public memory sites. This book provides readers with a necessary set of concerns that should be addressed when visiting any memorial. --Teresa Bergman, Chair of the Communication Department and Professor of Communication, University of the Pacific Nicola Clewer's work examining urban postmodern monument culture is indispensable. By providing a theoretical framework for the concept of the sublime as applied through comparative analysis, Clewer shows how memorials in the neoliberal state from the 1980s onward reify traditional uses of the past to fulfill contemporary ideological and political needs. --Laura A. Macaluso, editor of Monument Culture: International Perspectives on the Future of Monuments in a Changing World


Nicola Clewer's work examining urban postmodern monument culture is indispensable. By providing a theoretical framework for the concept of the sublime as applied through comparative analysis, Clewer shows how memorials in the neoliberal state from the 1980s onward reify traditional uses of the past to fulfill contemporary ideological and political needs.--Laura A. Macaluso, editor of Monument Culture: International Perspectives on the Future of Monuments in a Changing World


Author Information

Nicola Clewer gained an MA in the History of Art from the Courtauld Institute of Art in 2006. In 2016 she completed her PhD at the University of Brighton, where she teaches on the following degree programmes: BA Humanities; BA History of Art and Design; MA Cultural and Critical Theory; MA Cultural History, Memory and Identity. She co-edited Certoma, Clewer and Elsey (eds.) The Politics of Space and Place (2012).

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