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OverviewFull Product DetailsAuthor: Olivia A. Bloechl (University of California, Los Angeles)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 15.10cm , Height: 1.80cm , Length: 22.90cm Weight: 0.467kg ISBN: 9781108940832ISBN 10: 1108940838 Pages: 301 Publication Date: 15 October 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of Contents1. On colonial difference and musical frontiers: directions for a postcolonial musicology; Part I. Transatlantic Savagery: 2. Protestant imperialism and the metaphysics of new world song; 3. The voice of possession; 4. The voice of prophecy; Part II. Staging the Indian: 5. Musicking Indians in the Stuart court masque; 6. Savage Lully; 7. Rameau's Les sauvages and the aporia of musical nature; Conclusion. Opera, elsewhere.ReviewsBloechl's detailed investigation of relationships and interfaces, conflicts and accommodations, is wide-ranging, thoughtful, and persuasive. Her book is an important contribution not only to music studies but to Native American Studies, a broad, interdisciplinary field. --Journal of American Ethnic History """Bloechl’s detailed investigation of relationships and interfaces, conflicts and accommodations, is wide-ranging, thoughtful, and persuasive. Her book is an important contribution not only to music studies but to Native American Studies, a broad, interdisciplinary field. --Journal of American Ethnic History" Author InformationOlivia A. Bloechl is Assistant Professor in the Department of Musicology, University of California, Los Angeles. Tab Content 6Author Website:Countries AvailableAll regions |
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