National Myth and Imperial Fantasy: Representations of British Identity on the Early Eighteenth-Century Stage

Author:   Louise H. Marshall
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2008
ISBN:  

9781349364589


Pages:   223
Publication Date:   01 January 2008
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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National Myth and Imperial Fantasy: Representations of British Identity on the Early Eighteenth-Century Stage


Overview

Eighteenth-century drama is often dismissed as homogenous, aesthetically uninteresting, or politically complacent. This book reveals the incredibly intriguing and intricate nature of the period's history plays and their often messy dramatisaton of the complexities of patriotic rhetoric and national identification.

Full Product Details

Author:   Louise H. Marshall
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2008
Weight:   0.301kg
ISBN:  

9781349364589


ISBN 10:   1349364584
Pages:   223
Publication Date:   01 January 2008
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: Dramatising Britain: Nation, Fantasy and the London Stage, 1719-1745 Ancient Britons and Liberty Kings, Ministers and Favourites, the National Myth in Peril Shakespeare, the National Scaffold Britain, Empire and Julius Caesar Turks, Christians and Imperial Fantasy Conclusion: History, Fantasy and the Staging of Britishness Bibliography Index

Reviews

'Marshall provides significant insight into how the violent realities of the colonial endeavour were either elided by the fantasy of liberty or reconciled with the rhetoric of patriotism.' - Lisa A. Freeman, Times Literary Supplement


Author Information

LOUISE MARSHALL lectures in Restoration and eighteenth-century literature at the Department of English and Creative Writing, Aberystwyth University, UK. She has written several articles that discuss the political resonance of the early eighteenth-century stage and the dramatic representation of mythologies of Britishness.

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