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Author:   Appleton ,  Naomi Appleton
Publisher:   Equinox Publishing Ltd
Imprint:   Equinox Publishing Ltd
Weight:   6.246kg
ISBN:  

9781800501317

ISBN 10:   1800501315
Pages:   302
Publication Date:   10 May 2022
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Preface 1. Setting the Scene: Verbal and Visual Narrative in Indian Buddhism Naomi Appleton PART I: VISUAL NARRATIVES 2. Rethinking Chronology and Narrative Modes: The Case of Sanchi Stupa 2 Flavia Zaghet 3. The Power of Image and Imagery: Visualising the Divine and the Human in the Painted Narratives of Ajanta Madhulika Reddy, University of Mumbai 4. Visualizing a Teaching: Sermon Scenes in Kucha Monika Zin, Leipzig University PART II: NARRATIVE NETWORKS 5. Localizing Narrative through Image: The Nun Utpalavarna in a Stone Relief from Kaushambi Sonya Rhie Mace, Clevelenad Museum of Art 6. Beyond Textual and Visual Versions : The Story Cluster of the Six-Tusked Elephant Bodhisattva Naomi Appleton and Chris Clark 7. Interpretations and (Mis)understandings: Three Case Studies of Illustrations of the Buddha's Lifestory John S. Strong, Bates College, Maine PART III: NARRATIVE VISIONS 8. The Buddha as Spiritual Sovereign: Narrative Figurations of Knowledge and Power David Fiordalis, Linfield University, Oregon 9. Seeing the Dharma: Narrative Darsan in the Vimalakirtinirdesa Natalie Gummer, Beloit College, Wisconsin 10. Making Senses of the Story: Narrative, Art and Affect in Ancient India Jonathan Walters, Whitman College, Washington

Reviews

Reviews This entire volume is a noteworthy contribution, remarkable in its thoughtful approach to the diverse relationships between textual/oral storytelling practices and visual narratives (both material in the form of art and mentally generated as visions). To varying degrees, all of the essays explore fascinating aspects of these relationships. I anticipate that this book will be of great interest to all scholars of Buddhism (in India and beyond), which is a real contribution, as often art historical and textual specialists publish in different venues. Catherine Becker, Associate Professor and Chair, Department of Art History, University of Illinois at Chicago This volume explores the intersection of Buddhist art and literature, and the complex ways that verbal and visual narratives engage one another. The result is a brilliant synthesis that is sure to appeal to a wide cross-section of scholars and will no doubt be cited many times in the years to come. Andy Rotman, Sydenham Clark Parsons Professor and Professor of Religion, Buddhist Studies, and South Asian Studies, Smith College

Author Information

Naomi Appleton is Senior Lecturer in Asian Religions at the University of Edinburgh. Her primary research interest is the role of narrative in the construction, communication and challenge of religious ideas in early India, and she has published extensively on this area, including Jātaka Stories in Theravāda Buddhism (Ashgate 2010), Narrating Karma and Rebirth (CUP 2014), Shared Characters in Jain, Buddhist and Hindu Narrative (Routledge 2017), as well as translations of Buddhist narrative and numerous articles on related themes.

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