Narcissism and Suicide in Shakespeare and his Contemporaries

Author:   Eric Langley (Lecturer in English, University College, London University)
Publisher:   Oxford University Press
ISBN:  

9780199541232


Pages:   326
Publication Date:   12 November 2009
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Narcissism and Suicide in Shakespeare and his Contemporaries


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Overview

The subjects of this book are the subjects whose subjects are themselves.Narcissus so himself himself forsook,And died to kiss his shadow in the brook.In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare's Venus employs a geminative construction - 'himself himself' - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterised by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists.

Full Product Details

Author:   Eric Langley (Lecturer in English, University College, London University)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 14.60cm , Height: 2.50cm , Length: 22.40cm
Weight:   0.544kg
ISBN:  

9780199541232


ISBN 10:   019954123
Pages:   326
Publication Date:   12 November 2009
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Part One: Narcissism 1: Visions of Narcissus 2: Narcissistic Vision 3: From Self-Love to Self-Slaughter: Romeo and Juliet Part Two: Suicide 4: Romana Mors in Julius Caesar 5: Romana Mors in Antony and Cleopatra 6: Renaissance Attitudes to Self-Slaughter Conclusion: Othello's Suicides Works cited

Reviews

[a] deft and multifaceted study... [a] wholly absorbing book * Lucy Munro, Times Literary Supplement * [a] gracefully crafted study... * Forum for Modern Language Studies *


[a] gracefully crafted study... Forum for Modern Language Studies [a] deft and multifaceted study... [a] wholly absorbing book Lucy Munro, Times Literary Supplement


[a] deft and multifaceted study... [a] wholly absorbing book Lucy Munro, Times Literary Supplement


[a] gracefully crafted study... Forum for Modern Language Studies [a] deft and multifaceted study... [a] wholly absorbing book Lucy Munro, Times Literary Supplement


Author Information

Since receiving his doctorate from Leeds University in 2003, Eric Langley has worked as a Teaching Fellow, lecturing on Shakespearean and Renaissance literature at a number of the UK's leading English departments, including York, St. Andrews, and Sheffield. Previous publications include work on Renaissance visual theory, Shakespearean poetry, and early modern erotica, and he is currently developing research on the pharmaceutical rhetoric of Renaissance texts, and the influence on Shakespeare's plays from the early-modern essay tradition.

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