Full Product Details
Author: Jane Marcus ,
Jean Mills
Publisher: Liverpool University Press
Imprint: Liverpool University Press
ISBN: 9781835538746
ISBN 10: 1835538746
Pages: 348
Publication Date: 01 October 2024
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
'[The book] provides new readings of [Cunard's] work and her role in transatlantic modernism... Marcus takes new comparative approaches for understanding Cunard's contribution [and] interest in her work continues to grow. Marcus’ passionate defence of Cunard will further energize these discussions.' Mercedes Aguirre, Times Literary Supplement 'The book is a tour de force in its scope and forensic detail. Marcus exhaustively mined all available archives—letters, diaries, photographs, scrapbooks, and typescript drafts—as well as personal testimonies, conferences, and seminars held in several countries and continents over several decades. Following her death in 2015, Jean Mills brought Marcus’s drafts to completion with the confidence of her close collaborations with the author over many years. Mills offers an insightful introduction, afterword, and advocacy for the endnotes as both complementary and self-standing rich resources.' Jane Dowson, Tulsa Studies in Women’s Literature 'Marcus died before her Cunard study was polished for publication – a task completed by her former student and now established literary scholar, Jean Mills. Mills uncovered notes, computer files, scribbles, and hints left by Marcus to assemble this unusual presentation of Nancy Cunard’s stunning bohemian creativity... This is not a biography of Cunard. Editor Jean Mills points to works by Anne Chisholm and Hugh Ford for a chronological presentation of Cunard’s life. Instead, Marcus’ contribution clarifies the significance of Cunard’s seemingly chaotic life and work to both modernism and Black culture.' Sandi E. Cooper, The Coordinating Council for Women in History ‘As she did for Woolf, Marcus re-radicalizes Cunard and unveils her as the force that she was. In the process, Marcus also channels her own force and power into the work. Perfect Stranger reverberates with Marcus’s signature voice: bold, uncompromising, fierce, unflinching, and brilliant.’ J. Ashley Foster, Virginia Woolf Miscellany
Author Information
Jane Marcus, one of the most insightful critics of modernism, was a Distinguished Professor of English at The Graduate Center of the City University of New York. A pioneering feminist literary scholar, she specialized in women writers of the modernist era, changing the way we read the work of Virginia Woolf, Rebecca West, and Nancy Cunard, among others, by focusing on the social and political context and implications of their writing. She published extensively in her field, including such foundational titles as Virginia Woolf and the Languages of Patriarchy (1987); Art and Anger: Reading Like a Woman (1988); and Hearts of Darkness: White Women Write Race (2004). As an educator, her seminars on literary modernism, “the other” World War I, the Spanish Civil War, and Virginia Woolf for the 21st Century, were highly regarded and generative, as she inspired succeeding generations of young scholars and activists to mine the archives in order to adjust and correct the public record. Jean Mills is a feminist scholar and literary critic specializing in Peace Studies, Virginia Woolf, intellectual history, feminist theory, and literary modernism. She is the author of Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism (2014), as well as essays on Gertrude Stein, Hope Mirrlees, Jane Ellen Harrison, and Virginia Woolf, and the intersections of gender, race, and class. She is an Associate Editor of the journal Feminist Modernist Studies, dividing her time between New York City and Accord, New York. She is currently at work on a collection of essays Literary Approaches to Peace and a full length study 1924: A Year in the Life of Virginia Woolf.
