Overview

In Paris, during the fall of 1926, André Breton met a young woman from the provinces who called herself Nadja because, she said, ""in Russian it's the beginning of the word for hope, and because it's only the beginning."" Their love affair was brief, intense, and intensely self-conscious. They both talked exuberantly of the book that Breton would make out of their days and nights. And indeed a year later (after Nadja was institutionalized and Breton had moved on to other love affairs) he began to write Nadja--a book of memory and analysis taking its cue in part from Freud's case studies, but also a book of ingeniously intercut images, drawing on Surrealist ideas to portray a soul whose very way of being approaches, in Breton's words, ""the extreme limit of the Surrealist aspiration."" In this, the first new translation of Nadja in more than sixty years, Mark Polizzotti captures the youthful excitement, the abiding strangeness, and above all the freshness of Breton's prose. He also provides an illuminating introduction about the fate of the real Nadja, whose identity remained jealously guarded until the twenty-first century. A gripping tale of infatuation and a meditation on the surrealism of everyday life, Nadja is still a thing of convulsive beauty, impossible to pin or put down, a precursor to works of Julien Gracq, Julio Cortázar, and W. G. Sebald.

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André Breton (1896-1966), the son of a Norman policeman and a seamstress, studied medicine in Paris and was drafted to serve in World War I in 1915. While working on a neurological ward, he met Jacques Vaché, a devotee of Alfred Jarry, and Vaché's rebellious spirit and suicide at the age of twenty-three would powerfully shape Breton's sensibility. Thanks to the auspices of Paul Valéry, Breton worked as an assistant to Marcel Proust, and in 1919, along with Philippe Soupault and Louis Aragon, he founded the journal Littérature. The Magnetic Fields, the first book of automatic writing, appeared in 1920, and in 1924, having broken with Tristan Tzara and the Dadaists, Breton issued the Manifesto of Surrealism. Among his other major works are Anthology of Black Humor, Mad Love, and Surrealism and Painting. Peter Noble is an Audie Award-winning narrator who has recorded hundreds of audiobooks and audio dramas, including the 2021 Booker Prize winner, as well as Audible and New York Times bestsellers. Peter is a brain injury survivor, and has a unique understanding of the music of language. He was born in South Africa, in a valley Alan Paton called ""lovely beyond any singing of it."" He grew up traveling and studied music and drama at the University of Cape Town. In South Africa, Peter worked in the theater, touring the country with a small repertory company, as well as appearing on radio, TV, and film. Peter moved to London to study classical acting at LAMDA. He went on to train as a singer at the Royal Academy of Music, where he was part of the second graduating cohort of the legendary RAM Musical Theatre program. He also has an MA in creative writing from the University of East Anglia. He lives just outside of London, in Hertfordshire. Mark Polizzotti has translated more than sixty books from the French, including Arthur Rimbaud's The Drunken Boat and Jean Echenoz's Command Performance, and is the author of thirteen books, including Revolution of the Mind, Sympathy for the Traitor, Why Surrealism Matters, and Jump Cuts. He lives in New York.

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