Nabokov’s Canon: From Onegin to Ada

Author:   Marijeta Bozovic ,  Gary Saul Morson
Publisher:   Northwestern University Press
ISBN:  

9780810133143


Pages:   264
Publication Date:   31 May 2016
Format:   Paperback
Availability:   Available To Order   Availability explained
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Nabokov’s Canon: From Onegin to Ada


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Full Product Details

Author:   Marijeta Bozovic ,  Gary Saul Morson
Publisher:   Northwestern University Press
Imprint:   Northwestern University Press
Dimensions:   Width: 15.20cm , Height: 1.70cm , Length: 22.60cm
Weight:   0.342kg
ISBN:  

9780810133143


ISBN 10:   0810133148
Pages:   264
Publication Date:   31 May 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

This fascinating and original study illustrates how Nabokov burst through national as well as temporal boundaries in his writing, both evolving from Pushkin and redefining Pushkin as the font of western modernism and its aftermath. --Stephen Blackwell, author of The Quill and the Scalpel: Nabokov's Art and the Worlds of Science A boon to even the seasoned specialist, the elegantly argued, nuanced study also has much to offer the vast general readership that Nabokov commands. --Olga Hasty, author of Pushkin's Tatiana [Bozovic] writes and thinks with bold ambition, breadth, clarity, verve, attention to detail and context, and a capacity to make us rethink Nabokov, the modern Western canon, and canon formation. --Brian Boyd, author of Stalking Nabokov


This fascinating and original study illustrates how Nabokov burst through national as well as temporal boundaries in his writing, both evolving from Pushkin and redefining Pushkin as the font of western modernism and its aftermath. Stephen Blackwell, author of The Quill and the Scalpel: Nabokov's Art and the Worlds of Science


This fascinating and original study illustrates how Nabokov burst through national as well as temporal boundaries in his writing, both evolving from Pushkin and redefining Pushkin as the font of western modernism and its aftermath. --Stephen Blackwell, author of The Quill and the Scalpel: Nabokov's Art and the Worlds of Science A boon to even the seasoned specialist, the elegantly argued, nuanced study also has much to offer the vast general readership that Nabokov commands. --Olga Hasty, author of Pushkin's Tatiana Bozovic's fascinating study offers a new way of understanding Nabokov's legacy as a construction of a transnational literary canon characterized by cultural syncretism and intermedial fluidity. --Slavic Review [Bozovic] writes and thinks with bold ambition, breadth, clarity, verve, attention to detail and context, and a capacity to make us rethink Nabokov, the modern Western canon, and canon formation. --Brian Boyd, author of Stalking Nabokov The study is superb in demonstrating the complex manifestation of the strategies meant to influence cultural production on the textual level. --Slavic and East European Journal Original and fascinating... Bozovic's study is remarkable in many ways, because it sets out to theorize with utmost clarity the unique place of Nabokov in worldwide literature, a place that he consciously forged himself, while accounting at the same time for the diversity of his literary descendants. Although Bozovic never loses track of her forceful idea, always pulling back to her main issues, she nourishes her notional points with precise and nuanced microanalyses of Nabokov's texts. In the sea of intertextual speculations that Nabokov's entire work calls forth, Bozovic helps us recontextualize the work of Nabokov and make sense of the nature of his bibliophilic experiments. --Slavic and East European Review


""[Bozovic] writes and thinks with bold ambition, breadth, clarity, verve, attention to detail and context, and a capacity to make us rethink Nabokov, the modern Western canon, and canon formation."" --Brian Boyd, author of Stalking Nabokov ""The study is superb in demonstrating the complex manifestation of the strategies meant to influence cultural production on the textual level."" --Slavic and East European Journal ""Original and fascinating... Bozovic's study is remarkable in many ways, because it sets out to theorize with utmost clarity the unique place of Nabokov in worldwide literature, a place that he consciously forged himself, while accounting at the same time for the diversity of his literary descendants. Although Bozovic never loses track of her forceful idea, always pulling back to her main issues, she nourishes her notional points with precise and nuanced microanalyses of Nabokov's texts. In the sea of intertextual speculations that Nabokov's entire work calls forth, Bozovic helps us recontextualize the work of Nabokov and make sense of the nature of his bibliophilic experiments."" --Slavic and East European Review ""A boon to even the seasoned specialist, the elegantly argued, nuanced study also has much to offer the vast general readership that Nabokov commands."" --Olga Hasty, author of Pushkin's Tatiana ""Bozovic's fascinating study offers a new way of understanding Nabokov's legacy as a construction of a transnational literary canon characterized by cultural syncretism and intermedial fluidity."" --Slavic Review ""This fascinating and original study illustrates how Nabokov burst through national as well as temporal boundaries in his writing, both evolving from Pushkin and redefining Pushkin as the font of western modernism and its aftermath."" --Stephen Blackwell, author of The Quill and the Scalpel: Nabokov's Art and the Worlds of Science


This fascinating and original study illustrates how Nabokov burst through national as well as temporal boundaries in his writing, both evolving from Pushkin and redefining Pushkin as the font of western modernism and its aftermath. --Stephen Blackwell, author of <i>The Quill and the Scalpel: Nabokov's Art and the Worlds of Science</i>


Author Information

Marijeta Bozovic is an assistant professor of Slavic languages and literatures at Yale University, USA.

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