Overview

Surely the ancient Greeks would have been baffled to see what we consider their ""mythology."" Here, Claude Calame mounts a powerful critique of modern-day misconceptions on this front and the lax methodology that has allowed them to prevail. He argues that the Greeks viewed their abundance of narratives not as a single mythology but as an ""archaeology."" They speculated symbolically on key historical events so that a community of believing citizens could access them efficiently, through ritual means. Central to the book is Calame's rigorous and fruitful analysis of various accounts of the foundation of that most ""mythical"" of the Greek colonies--Cyrene, in eastern Libya. Calame opens with a magisterial historical survey demonstrating today's misapplication of the terms ""myth"" and ""mythology."" Next, he examines the Greeks' symbolic discourse to show that these modern concepts arose much later than commonly believed.Having established this interpretive framework, Calame undertakes a comparative analysis of six accounts of Cyrene's foundation: three by Pindar and one each by Herodotus (in two different versions), Callimachus, and Apollonius of Rhodes.We see how the underlying narrative was shaped in each into a poetically sophisticated, distinctive form by the respective medium, a particular poetical genre, and the specific socio-historical circumstances. Calame concludes by arguing in favor of the Greeks' symbolic approach to the past and by examining the relation of mythos to poetry and music.

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Reviews

Calame's faultless analysis convinces us that what for us is myth was for the Greeks nothing but the telling of 'les evenements constitutifs du passe de sa propre culture; mieux, de sa propre cite'... [T]he lucidity of his arguments and the answers he provides to many of the problems posed by Greek literary tradition cannot be denied. -- Adolfo J. Dominguez Bryn Mawr Classical Review

Calame's faultless analysis convinces us that what for us is myth was for the Greeks nothing but the telling of 'les evenements constitutifs du passe de sa propre culture; mieux, de sa propre cite'... [T]he lucidity of his arguments and the answers he provides to many of the problems posed by Greek literary tradition cannot be denied. --Adolfo J. Dominguez, Bryn Mawr Classical Review

Calame's faultless analysis convinces us that what for us is myth was for the Greeks nothing but the telling of 'les vnements constitutifs du pass de sa propre culture; mieux, de sa propre cit'... [T]he lucidity of his arguments and the answers he provides to many of the problems posed by Greek literary tradition cannot be denied. -- Adolfo J. Dominguez, Bryn Mawr Classical Review

Author Information

Claude Calame is Directeur d'etudes at the Ecole des Hautes Etudes en Sciences Sociales in Paris and Professor of Greek Language and Literature at the University of Lausanne. Several of his books have appeared in English translation, including The Poetics of Eros in Ancient Greece (Princeton), Choruses of Young Women in Ancient Greece, and The Craft of Poetic Speech in Ancient Greece. Daniel W. Berman is Assistant Professor of Classics and Ancient Mediterranean Studies at Pennsylvania State University.

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