""My Song Is My Weapon"": People's Songs, American Communism, and the Politics of Culture, 1930-50

Awards:   Winner of <DIV>Winner of an ASCAP Deems Taylor Award, 1990.</DIV> 1990
Author:   ROBBIE LIEBERMAN
Publisher:   University of Illinois Press
Edition:   New edition
ISBN:  

9780252065255


Pages:   232
Publication Date:   01 August 1995
Format:   Paperback
Availability:   Out of stock   Availability explained
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""My Song Is My Weapon"": People's Songs, American Communism, and the Politics of Culture, 1930-50


Awards

  • Winner of <DIV>Winner of an ASCAP Deems Taylor Award, 1990.</DIV> 1990

Overview

A revealing exploration of the origins and development of People's Songs, Inc., ""My Song Is My Weapon won the ASCAP-Deems Taylor Award. Robbie Lieberman brings to life the hootenannies, concerts, and rallies of the time, paying special attention to the politics of culture of the Old Left. Her analysis of the communist movement culture, coupled with interviews with former members of People's Songs, sheds new light on Cold War America, the American Communist movement, and the experience of left-wing cultural workers.

Full Product Details

Author:   ROBBIE LIEBERMAN
Publisher:   University of Illinois Press
Imprint:   University of Illinois Press
Edition:   New edition
Dimensions:   Width: 15.20cm , Height: 3.00cm , Length: 22.90cm
Weight:   0.367kg
ISBN:  

9780252065255


ISBN 10:   0252065255
Pages:   232
Publication Date:   01 August 1995
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Reviews

A spirited and scholarly account of the relationship between the US Communist movement and the folk music revival of the 1940s and 1950s. --Paul C. Mishler, Nature, Society, and Thought Shows the ways in which the folk music revival of the 1960s and the participatory cultures of the civil rights movement and the New Left drew on the general example and the specific creations of the all-but-forgotten People's Songsters. --George Lipsitz, American Historical Review Lieberman's vision of a people's music in American culture is arresting, challenging, and refreshing, and it deserves our attention. -- Phillip V. Bohlman, Sonneck Society Bulletin


Author Information

Robbie Lieberman is chair of the Interdisciplinary Studies Department and a professor of interdisciplinary studies at Kennesaw State University. She is the author of Prairie Power: Voices of 1960s Midwestern Student Protest and coeditor of Anticommunism and the African American Freedom Movement.

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