Overview

A widowed writer begins to work on a biography of a novelist and artist-and soon uncovers bizarre parallels between her life and her subject's-in this chilling and singularly strange novella by a contemporary master of horror and fantasy. A widowed writer begins to work on a biography of a novelist and artist-and soon uncovers bizarre parallels between her life and her subject's-in this chilling and singularly strange novella by a contemporary master of horror and fantasy. The narrator of Lisa Tuttle's uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her- she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan's much-reproduced painting Circe, and the inspiration for his classic children's book, Hermine in Cloud-Land. But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her mostradical painting, My Death, deemed too unsettling-malevolent even-to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman'shistory and her own. Whose biography is she writing-really?

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9781681377728

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Reviews

Lisa Tuttle is, quietly and unsensationally, the finest practitioner of unsettling fiction writing today. She can make you doubt reality, she can chill your flesh and walk you into the darkness with gentle, perfectly constructed prose. Her authorial voice is so sensible that it's easy to forget, over and over, in story after story, that she's one of the dangerous ones, the kind of writer that somebody really should have warned you about. -Neil Gaiman It is [Tuttle's] influence, ringing loud and clear, on the award-winning work of authors like Carmen Maria Machado, Elizabeth McCracken, and Karen Russell that will finally lead grateful readers back to her. -Booklist

"“Lisa Tuttle is, quietly and unsensationally, the finest practitioner of unsettling fiction writing today. She can make you doubt reality, she can chill your flesh and walk you into the darkness with gentle, perfectly constructed prose. Her authorial voice is so sensible that it's easy to forget, over and over, in story after story, that she's one of the dangerous ones, the kind of writer that somebody really should have warned you about.” —Neil Gaiman ""Lisa Tuttle's characters crawl into places that many genre authors avoid....As sexually uncomfortable as her books can be, it's the emotional discomfort that clings to you....Tuttle's books are messy and chaotic. They feel desperate. They feel human. They feel like real life."" —Grady Hendrix, Tor.com “It is [Tuttle’s] influence, ringing loud and clear, on the award-winning work of authors like Carmen Maria Machado, Elizabeth McCracken, and Karen Russell that will finally lead grateful readers back to her.” —Booklist"

"“Lisa Tuttle is, quietly and unsensationally, the finest practitioner of unsettling fiction writing today. She can make you doubt reality, she can chill your flesh and walk you into the darkness with gentle, perfectly constructed prose. Her authorial voice is so sensible that it's easy to forget, over and over, in story after story, that she's one of the dangerous ones, the kind of writer that somebody really should have warned you about.” —Neil Gaiman ""My Death is very readable, in that page-turning, suspense-building way....The fun of My Death is in its propulsive mystery plot...it is a creepy, cozy pleasure, the kind of reader that bothers a reader in the nicest sort of way.” —Bibliokept “Full of twists and turns, the book conjures the rich inner lives of women working on the fringes of artistic communities that often forget to memorialize or acknowledge them, even as Tuttle keeps taut the thread of suspense that animates the story. Powerful and empoweringly weird.” —Kirkus Reviews ""Lisa Tuttle's characters crawl into places that many genre authors avoid....As sexually uncomfortable as her books can be, it's the emotional discomfort that clings to you....Tuttle's books are messy and chaotic. They feel desperate. They feel human. They feel like real life."" —Grady Hendrix, Tor.com “It is [Tuttle’s] influence, ringing loud and clear, on the award-winning work of authors like Carmen Maria Machado, Elizabeth McCracken, and Karen Russell that will finally lead grateful readers back to her.” —Booklist"

Author Information

Lisa Tuttle was born and raised in Texas and moved to Britain in the 1980s. Her first novel, Windhaven, co-written with George R.R. Martin, was followed by a dozen fantasy, science fiction, and horror adult and YA novels, and hundreds of award-winning short stories collected in several volumes, including A Nest of Nightmares and The Dead Hours of the Night. She is the author of The Encyclopedia of Feminism and currently writes a monthly science fiction review column for The Guardian. She lives with her husband and their daughter in Scotland. Amy Gentry is the author of the novels Good as Gone, a New York Times Notable Book; Last Woman Standing; and mostly recently, Bad Habits. She is also a nonfiction writer whose work has appeared in numerous outlets, including the Chicago Tribune, Salon, and The Paris Review. She lives in Austin, Texas.

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